Hydrogeological map of Alnwick and its neighbourhood

Title: Hydrogeological map of Alnwick and its neighbourhood

Creator: Frederick R Wilson

Description: Hydro-geological map of the Urban and Rural Sanitary Authorities Districts of Alnwick and the neighbourhood.

The map was produced by Frederick Wilson who was a sanitary inspector for the Rural Sanitary Authority.  The effects on people’s health due to poor quality drinking water had at last been recognised due  in most part to the multiple cholera outbreaks which had occurred across the country.

Wilson has marked in red the various possible sources of water such as rainfall, springs and the watershed of the River Aln, along with a suggested route for channels of clean water supply.  The illustrated border around the map depicts wells and spring heads in the district.

Date: 1877

Format: Lithograph

Image reference: 07-191

Recommended print size: Up to 70 x 50cm (27in x 20in) [Note: dimensions of original are 70 x 60cm]

Murchison’s Map of Russia (1847)

Title: ‘Russia in Europe and the Ural Mountains: chiefly coloured from the geological researches conducted under the auspices of the Emperor of all the Russias’

Creator: Roderick Murchison (1792-1871)

Description: The geological map was the result of Roderick Murchison’s trips to Russia in the early 1840s.

Date: 1847

Format: Hand coloured map

Image reference: 07-190

Recommended print size: Up to 100 x 70cm (40in x 27in) [Note: dimensions of original are c.84 x 70cm]

‘Tabular view of the order of deposit and chronological succession of the principal European groups of stratified rocks’

Title: ‘Tabular view of the order of deposit and chronological succession of the principal European groups of stratified rocks’

Creator: Robert Smith

Description: ‘Tabular view of the order of deposit and chronological succession of the principal European groups of stratified rocks, constructed in accordance with the views of Lyell, Murchison, Buckland and other eminent geologists’, lithographed by Forster, published by S B Oldham, Dublin.

 

The diagram is essentially a geological timescale but showing the strata in a quarter-circular format to mimic a section of the Earth.  The terminology used for we would now call the geological eras echoes those designated by the German geologist Abraham Werner but are not directly related. In this chart ‘Primary‘ correlates with the modern Lower Palaeozoic, ‘Secondary‘ an amalgam of the Upper Palaeozoic and Mesozoic, ‘Tertiary‘ includes most of the Cenozoic, apart from Quaternary which is designated ‘Post Pliocene‘.

 

Date: 1844

Format: Hand coloured lithograph

Archive reference: LDGSL/501

Image reference: 07-190

Original size: 94 x 70cm

Recommended print size: Up to 100 x 70cm (40in x 27in)

‘The diametric section of the principles and theories of geology’

Title: ‘The diametric section of the principles and theories of geology’

Creator: Charles Moxon & C Chabot

Description: The print, ‘The diametric section of the principles and theories of geology’, is dedicated to the President, Council and Fellows of the Geological Society.  It was sold at a price of 10s 6d.

 

The central diametric section clearly owes a debt to an ‘Ideal Section of a Portion of the Earth’s Crust…’ which appeared in William Buckland’s ‘Geology and mineralogy considered with reference to natural theology’ (1836).

 

Date: [1842]

Format: Hand coloured lithograph

Archive reference: LDGSL/500

Image reference: 07-189

Original size: 90 X 75cm

Recommended print size: Up to 100 x 70cm (40in x 27in)

‘Sketch of the Geological Formation of the Auckland District’ (1857-1859)

Title: ‘Sketch of the Geological Formation of the Auckland District’ (1857-1859)

Creator: Charles Heaphy ([1820]-1881)

Description: The artist and colonial surveyor Charles Heaphy ([1820]-1881) arrived in New Zealand in August 1839 initially as draughtsman in the employ of the New Zealand Company. This company was a commercial enterprise whose remit was to systematically (and socially engineer) the colonisation of New Zealand. Heaphy’s role was to produce idyllic images of the landscape to tempt Europeans to emigrate. In his exploration of the country, Heaphy is known to have employed Maori guides, two of whom – Kehu and Tau – saved his group from starvation during a trip down the west coast in 1846.

 

This large map was submitted to the Society with Heaphy’s paper “On the Volcanic Country of Auckland, New Zealand” which was published in the ‘Quarterly Journal of the Geological Society’, vol 16, (1860), pp242-252.  Only part of the map was published.

 

Much of the volcanic landscape depicted by Heaphy in the map is now obscured by urbanisation.

Date: 1857-1858

Format: Watercolour

Archive reference: LDGSL/209

Image reference: 07-188

Original size: 100 x 83cm

Recommended print size: Up to 100 x 70cm (40in x 27in)

Geognostic map of Sweden (1834)

Title: Geognostic map of Sweden (1834)

Creator: William Hisinger (1766-1852)

Description: Geonostisk karta öfver medlersta och sodra delarne af Swerig [Geognostic map of Sweden].

The map is annotated as being donated to the Society by the Rev William Bilton FGS [on 1 May 1840].

Date: 1834

Format: Hand coloured map

Image reference: 07-187

Recommended print size: Up to 100 x 70cm (40in x 27in)

Chart of Sarawak, Borneo (1846)

Title: ‘Chart of Sarawak’, Borneo

Creator: Hiram Williams (1816-1872)

Description: Large manuscript map of Sarawak, Borneo by Hiram Williams, showing its geological features, 1846.  Scale 1 inch to 1 mile.

According to the Geological Society’s Anniversary Address of 1848, Hiram Williams was sent by the Admiralty to examine the coal district of Borneo in 1845.

Date: 1846

Format: Watercolour and ink

Archive reference: LDGSL/728

Image reference: 07-186

Original size: 107cm x 75cm

Recommended print size: Up to 100 x 70cm (40in x 27in)

Knives, arrow heads and hatchets of flint and chert found in Kent’s Cavern

Title: Knives, arrow heads and hatchets of flint and chert found in Kent’s Hole, by the Revd J McEnery.  The items marked with ticks were once held in the Geological Society’s Museum.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-78

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Bones bearing marks of having been gnawed by hyaenas, from Kent’s Cavern

Title: Bear’s tooth and fragments of bones, all bearing marks of having been gnawed by the teeth of hyaenas, Kent’s Hole, Torquay.  The specimens marked with a tick were once held in the Geological Society’s Museum.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-77

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Bones of rhinoceros and horse found in Kent’s Cavern

Title: Bones of rhinoceros and horse found in Kent’s Hole, Torquay.  The specimens on the drawing marked with a tick were once held in the Geological Society’s Museum

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-76

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants

Title: Remains of fossil plants

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 9.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

The identification and naming of fossil species were still in their infancy, so Greenough’s captions are rather vague.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-87

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants

Title: Remains of fossil plants

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 8.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-86

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants, mostly nuts from the Isle of Sheppey

Title: Remains of fossil plants, mostly nuts from the Isle of Sheppey

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 7.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

The identification and naming of fossil species were still in their infancy, so Greenough’s captions are rather vague.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-85

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants, including twigs and nuts

Title: Remains of fossil plants, including twigs and nuts

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 6.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

The identification and naming of fossil species were still in their infancy, so Greenough’s captions are rather vague.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-84

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants, mostly leaves

Title: Remains of fossil plants, mostly leaves

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 5.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

The identification and naming of fossil species were still in their infancy, so Greenough’s captions are rather vague.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-83

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants, mostly ferns

Title: Remains of fossil plants, mostly ferns

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 4.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

The identification and naming of fossil species was still in their infancy, so Greenough suggests names of living fern species such as Pteris, Dicksonia and Polypodium.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-82

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants

Title: Remains of fossil plants

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 3.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-81

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants, mostly trees

Title: Remains of fossil plants, mostly trees

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 2.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-80

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Remains of fossil plants, including fossil wood and bark

Title: Remains of fossil plants, including fossil wood and bark

Creator: Samuel Springsguth

Description: From: Parkinson, James, ‘Organic remains of a former world. An examination of the mineralized remains of the vegetables and animals of the antediluvian world; generally termed extraneous fossils’, London: J. Robson (1804-1811). Plate 1.

The surgeon James Parkinson (1755-1824) is probably best known today for his identification of ‘Shaking Palsy’ which he described in a publication in 1817.  The condition was named Parkinson’s Disease in 1876.

However he was also a keen palaeontologist and would found the Geological Society in November 1807 with twelve others.  Parkinson’s first palaeontological book ‘Organic Remains of a Former World’ (1804) was written in epistolary form and based on religious concepts of the Flood.

This particular volume, which concerns plant fossils, once belonged to George Bellas Greenough (1778-1855), another of the Society’s founders.  He has written captions below some of the images, probably because there are no specific plate descriptions.  Information on each specimen is scattered throughout the volume’s 461 pages.

Date: 1804

Format: Hand coloured engraving

Image reference: 04-79

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Gnawed bones of Rhinoceros found in Kent’s Cavern

Title: Gnawed bones of Rhinoceros found in Kent’s Hole, Torquay. The items marked ‘Mus GS’ were once part of the Geological Society’s Museum.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-75

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Femur, ulna, radius, humerus and tibia of Bear found in Kent’s Cavern

Title: Femur, ulna, radius, humerus and tibia of Bear found in Kent’s Hole, Torquay by Rev J McEnery.  Those marked ‘Mus GS’ were once part of the Geological Society’s Museum.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-74

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Teeth and jaws of young elephants, rhinoceros, deer, bear and hyaenas found in Kent’s Cavern

Title: Teeth and jaws of young elephants, rhinoceros, deer, bear and hyaenas found in Kent’s Hole, Torquay by the Rev J McEnery.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-73

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Teeth & bony base of the nose of Rhinoceros from Kent’s Cavern

Title: Teeth & bony base of the nose of Rhinoceros gnawed round its edge, found in Kent’s Hole, Torquay by the Rev J McEnery.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-72

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Jaws of a hog, deer, fox and horse found in Kent’s Cavern

Title: Jaws of a hog, deer, fox and horse found in Kent’s Hole, Torquay by the Rev J McEnery.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-71

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

 

Horns of a small deer, elk and red deer from Kent’s Cavern

Title: Horns of a small deer, elk and red deer gnawed to their actual state by hyaenas found in Kent’s Hole, Torquay by the Rev J McEnery.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-70

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Palate of an elk, partially eaten by a hyaena, from Kent’s Cavern

Title: Palate of a large elk left in this form by Hyaena, found in Kent’s Hole, Torquay by the Rev J McEnery.  Note: annotated ‘Mus G Soc’ indicating that it was once held in the Museum of the Geological Society.

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-69

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Head of a large wolf found in Kent’s Cavern, Torquay

Title: Entire head of a large wolf found in Kent’s Hole, Torquay by the Rev J  McEnery

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-68

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Teeth of tigers and bears, with jaws from a rabbit, hare, bat, badger, fox, field mice, weasel and cat from Kent’s Cavern

Title: Teeth of tigers and bears Ursus spelaeus) with jaws from a rabbit, hare, bat, badger, fox, field mice, weasel and cat found in Kent’s Hole by the Rev J McEnery

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-67

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Jaws of bears found in Kent’s Cavern

Title: ‘1. Under jaw of fossil Bear (Ursus Arctoideus) 2. Under jaw of Ursus Spelaeus, both found in Kent’s Hole, Torquay by the Rev L P Welland’

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-66

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Jaws and teeth of a tiger, bear and hyaena from Kent’s Cavern

Title: ‘1. Upper jaw of a large tiger, in the possession of Sir Lawrence Palk, Bart. 2. Irregular tusk of Bear. 3 Irregular under jaw of Hyaena, found in Kent’s Hole, Torquay by Revd J McEnery.’

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-65

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Skull of a hyaena from Kent’s Cavern

Title: ‘Scull and under jaws of Hyaenas, found in Kent’s Hole, Torquay, by the Rev J McEnery’

Creator: George Scharf (1788-1860)

Description: From: MacEnery, John and Vivian, Edward. (ed.), ‘Cavern researches, or, Discoveries of organic remains, and of British and Roman reliques, in the caves of Kent’s Hole, Anstis Cove, Chudleigh, and Berry Head’, London: Simpkin, Marshall and Co.; E. Cockrem (1859).

Kent’s Cavern, in Torquay, had long attracted visitors as a natural curiosity but first came to scientific prominence in 1824 when a tourist Mr J Northmore was recommended to visit the site in his pursuit of possible Mithraic artefacts. There were no signs of druids but he did find mammalian remains.

The Rev William Buckland (1784-1856) had been conducting excavations in other bone caves during this period and was therefore alerted. Not having the time to oversee the project himself, Buckland encouraged the Roman Catholic priest Father John MacEnery (1797-1841) to undertake the excavations. Between 1825-1829 McEnery found the bones of extinct animals such as bears, hyaenas, rhinoceros and deer. Most controversially MacEnery claimed to have found evidences of man-made flints in amongst the animal bones.

Buckland, like many geologists in the early 19th century, held the widespread belief that humanity was of recent origin, specifically ‘post-diluvian’ that is deriving from after Noah’s Flood. Anything which diverged from this view was either dismissed or interpreted as being of later origin.

It would not be until the Antiquity of Man debates in 1859 that MacEnery’s findings were finally published.

Date: 1859

Format: Lithograph

Image reference: 04-64

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Cross section showing the progress of the Thames Tunnel under the Thames in 1838

Title: Cross section showing the progress of the Thames Tunnel under the Thames in 1838

Creator: Unknown

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-34

Recommended print size: Up to 20 x 16 inches (50 x 40cm) [Note: the dimension of the image is longer than it is wide]

Isometrical view of Marc Brunel’s patent shield

Title: Isometrical view of Marc Brunel’s patent shield

Creator: R Beamish, engraved by W Warrington

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-33

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Workmen excavating the Thames Tunnel protected by Brunel’s patent shield

Title: Cross section showing the workmen excavating the Thames Tunnel protected by Brunel’s patent shield

Creator: Unknown

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-32

Recommended print size: Up to A4 (30 x 20cm)

Cross section of the workmen excavating the Thames Tunnel

Title: Cross section of the workmen excavating the Thames Tunnel

Creator: T Blood

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-31

Recommended print size: Up to 10 x 8 inches (25 x 14cm)

Plan of the roads & main objects on the Eastern Part of London as connected with the [Thames] Tunnel, 1835

Title: Plan of the roads & main objects on the Eastern Part of London as connected with the Tunnel excavating under the Thames from Rotherhithe to Wapping projected by M I Brunel CE FRS, 1835

Creator: W Warrington

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-30

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the Western Archway of the Thames Tunnel

Title: View of the Western Archway of the Thames Tunnel

Creator: Robert Cruikshank after sketch by M Dixie

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

The image is notable for showing Marc Brunel who is pictured on the far left as well as his more famous son Isambard Kingdom Brunel (1806-1859), who had joined as resident engineer in 1826 who is on the far right.

Date: 1838

Format: Tinted lithograph

Image reference: 08-29

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Section showing the construction of the Thames Tunnel in progress

Title: Section showing the construction of the Thames Tunnel in progress

Creator: Silvester & Co

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-28

Recommended print size: Up to 10 x 8 inches (25 x 14cm)

Plan shewing the progress of the Thames Tunnel, 1839

Title: Plan shewing the progress of the Thames Tunnel, 1839

Creator: J Pinchback, engraved by W Warrington

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-27

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Plan shewing the progress of the Thames Tunnel, 1836

Title: Plan shewing the progress of the Thames Tunnel, 1836

Creator: J Pinchback, engraved by W Warrington

Description: From: Thames Tunnel Company, ‘An explanation of the works of the tunnel under the Thames from Rotherhithe to Wapping’, London: W. Warrington (1838).

The idea of a tunnel between Rotherhithe and Wapping was suggested by the civil engineer Marc Brunel (1769-1849) in 1824. A Parliamentary Bill for the Thames Tunnel Company for ‘Making and Maintaining a tunnel under the Thames’ was given Royal Assent in 1824, with work on the shaft at Rotherhithe beginning in March 1825.  Two previous attempts at constructing a tunnel under the Thames had failed due to water ingress, but Marc Brunel’s tunnel was to use his patented tunnelling shield. The shield provided support to the mining operation whilst the tunnel was encased securely in brickwork.  It comprised a series of fixed and adjustable frames that inched forward at a rate of initially around eight feet per week as the tunnelling progressed.

In the spring of 1827, the first major flood stopped work. Work restarted in the winter of 1827 and by the time the commemorative volume was published in 1838 the tunnel had flooded a further four times. In November 1841 the tunnelling reached Wapping.  The tunnel was finally open in 1843.

The tunnel was intended for pedestrian and coach traffic but in 1865 it was sold to the East London Railway to be turned into a railway tunnel.  It still exists, now forming part of the London Overground line.

Date: 1838

Format: Engraving

Image reference: 08-26

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Geological map of Malta (1856)

PUBLICATION

Title: Geological map of Malta

Creator: Lt J W Worsley, R E

Description: Plan of the islands of Malta and Gozo by J W Worsley, using geological data from Earl of Ducie and Capt T A B Spratt, R N.

Date: 1856

Format: Coloured lithograph

Image reference: 07-186

Recommended print size: Up to 100 x 70cm (40in x 27in)

Geological map of Gozo and Cominos, Malta

Title: Geological map of Gozo and Cominos, Malta

Creator: Lt J W Worsley, R E

Description: Plan of the islands of Malta and Gozo by J W Worsley, using geological data from Earl of Ducie and Capt T A B Spratt, RN.

Date: 1856

Format: Coloured lithograph

Image reference: 07-184

Recommended print size: Up to 70 x 50cm (27in x 20in)

Temple of Serapis

Title: Veduta del Tempio detto di Serapide discoperto a Pozzuoli nell’anno 1750 [View of the said Temple of Serapide discovered at Pozzuoli in the year 1750]

Creator: Unknown

Description: The Temple of Serapis is probably one of the most important geological sites in the world.  Found in Pozzuoli, near Naples, Italy, it was initially discovered in 1749 when three of the columns were spotted sticking out from the ground.  It was first excavated in 1750 which revealed that part way up the columns were signs of borings from marine bivalves.  This indicated that the temple was built above sea level, then been under water but was elevated again – the latter caused by the volcanic eruption of Monte Nuovo in 1538.

Although many travellers and geologists visited the site and came up with their own theories to explain the phenomena, the temple is most closely associated with Sir Charles Lyell (1797-1875) who included an image of it on the frontispiece to his book ‘Principles of Geology’ (first published in 1832).

This plate shows the columns and the stone boring mussels the author, Ermenegildo Pini (1739-1825), saw on his visit to the Temple of Serapis in 1782.  From Ermenegildo Pini, ‘Viaggio geologico per diverse parti meridionali dell’ Italia. Esposto in lettere’. 2a edn. Milano: Nella Stamperia Mainardi (1802).

The site is not actually a temple, but rather a Roman market place.

Date: 1802

Format: Engraving

Image reference: 02-72

Recommended print size: Up to A4 (30 x 20cm)

Homo diluvii testis

Title: Homo diluvii testis

Creator: Unknown

Description: The image on the left, marked 441, shows a fossil which was found in a limestone quarry in Öhningen, Germany.  It was first described by the Swiss naturalist Johan Jakob Scheuchzer (1672-1733) who claimed it to be the spine and pelvis of a child which had been trampled during the Biblical Flood.  It was named Homo diluvii testis which translated as ‘man, witness of the Flood’.

In 1811, the French naturalist Georges Cuvier (1769-1832) picked away at some of the fossil revealing the forelimbs.  He identified it as being a giant salamander. It would later be renamed Andrias scheuchzeri in honour of its original describer.

From Louis Bourguet, Traité des pétrifications. Paris: Chez Briasson (1742), plate 60.

Date: 1742

Format: Engraving

Image reference: 04-63

Recommended print size: Up to A4 (30 x 20cm)

View of the 35th eruption of Mount Vesuvius, 1 January 1812

Title: ‘Veduta della 35ma eruzione, accaduta li 1 Gennaro 1812 [View of the 35th eruption which happened on 1 January 1812]

Creator: C de Vito, engraved by P Toro

Description: An additional plate bound into a volume of 25 views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 27.

Date: 1812?

Format: Engraving

Image reference: 02-71

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 34th eruption of Mount Vesuvius, 13th September 1810

Title: ‘Veduta della 34ma eruzione, accaduta li 13 Settembre 1810 [View of the 34th eruption which happened on 13th September 1810]

Creator: C de Vito, engraved by P Toro

Description: An additional plate bound into a volume of 25 views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 26.

Date: 1812?

Format: Engraving

Image reference: 02-70

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the eruption of Mount Vesuvius, 12 August 1805

Title: ‘Veduta dell’ eruzione de 12 Agosto 1805, disegnta il giorno 19 dello stesso mese [View of the eruption of 12 August 1805, drawn on the 19th of the same month]

Creator: Odoardo Fischietti, engraved by Gennaro Bartoli

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 25.

Date: 1805

Format: Engraving

Image reference: 02-69

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the eruption of Vesuvius on the night of 11 September 1804

Title: ‘Veduta dell’ eruzione del Vesuvio dis[egnata] dalle Masserie de Camandoli la notte delli 11 7bre 1804’ [View of the eruption of Vesuvius drawn from the Masserie de Camandoli on the night of 11 September 1804]

Creator: Francesco Catozzi, engraved by Vinc. Scarpati

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 24.

Date: 1805

Format: Engraving

Image reference: 02-68

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the eruption of smoke and ash from Mount Vesuvius, 11 September 1804

Title: ‘Veduta dell’ eruzione di fumo e cennere disegnata li 11 Settembre 1804’ [View of the eruption of smoke and ash drawn on the 11 September 1804]

Creator: Ales. D’Anni, engraved by Gennaro Bartoli

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 23.

Date: 1805

Format: Engraving

Image reference: 02-67

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Great eruption of fire and lava from Mount Vesuvius, 9 September 1804

Title: ‘Grande eruzione di fuoco e lava accaduta e disegnata li 9 Settembre 1804’ [Great eruption of fire and lava, drawn on 9 September 1804]

Creator: Francesco Catozzi, engraved by Gennaro Bartolo in 1804

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 22.

Date: 1805

Format: Engraving

Image reference: 02-66

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the eruption of Vesuvius which began in the night of 12 August 1804

Title: ‘Veduta della eruzione di fuoco principita la notte de’ 12 Agosto 1804 ore 6 e dista la sera de’ 13 di-do mese’ [View of the eruption of fire which began in the night of 12 August 1804 at 6, drawn on the 13th of that month]

Creator: Francesco Catozzi, engraved by Vinc. Scarpati

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 21.

Date: 1805

Format: Engraving

Image reference: 02-65

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Plan of the Torre del Greco destroyed by the eruption of 1794

Title: ‘Pianta della Torre del Greco distrutta dall’ eruzione del 1794’ [Plan of the Torre del Greco destroyed by the eruption of 1794]

Creator: Unknown

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 20.

Date: 1805

Format: Engraving

Image reference: 02-64

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Eruption of ash from Mount Vesuvius, 19 June 1794

Title: ‘Eruzione di Cenere accaduta alli 19 Giugno del 1794’ [Eruption of ash which occurred on the 19 June 1794]

Creator: Francesco Catozzi, engraved by Gennaro Bartoli

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 19.

Date: 1805

Format: Engraving

Image reference: 02-63

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of great eruption of Mount Vesuvius, 15 June 1794

Title: ‘Veduta della grande eruzione delli 15 Giugno del 1794’ [View of great eruption of the 15 June 1794]

Creator: Francesco Catozzi, engraved by Gennaro Bartoli

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 17.

Date: 1805

Format: Engraving

Image reference: 02-62

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of 28th eruption of Mount Vesuvius, 19 October 1767

Title: ‘Veduta della 28a eruzione accaduta li 19 Ottobre del 1767’ [View of 28th eruption which occurred on 19 October 1767]

Creator: Francesco Catozzi, engraved by Gennaro Bartoli

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 10.

Date: 1805

Format: Engraving

Image reference: 02-54

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of Torre del Greco destroyed by the eruption of 15 June 1794

Title: ‘Veduta della Torre del Greco distrutta dall’eruzione de 15 Giugno 1794’ [View of Torre del Greco destroyed by the eruption of 15 June 1794]

Creator: Francesco Catozzi, engraved by Gennaro Bartoli

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 16.

Date: 1805

Format: Engraving

Image reference: 02-61

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of 31st eruption of Mount Vesuvius, September 1790

Title: ‘Veduta della 31a eruzione accaduta nel mese di Settembre 1790’ [View of 31st eruption which happened in the month of September 1790]

Creator: Oliva d’Anno, engraved by Pietro Parboni

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 15b.

Date: 1805

Format: Engraving

Image reference: 02-60

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of beginning of the 32nd eruption of Mount Vesuvius, 15 June 1794

Title: ‘Veduta del principio della 32ma eruzione de 15 Giugno dell’anno 1794’ [View of beginning of the 32nd eruption of the 15 June in the year 1794]

Creator: Francesco Catozi, engraved by Gennaro Bartolo in 1804

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 15a.

Date: 1805

Format: Engraving

Image reference: 02-59

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of 30th eruption of ash of Mount Vesuvius, 9 August 1779

Title: ‘Veduta della trentesima eruzione de cenere delli 9 Agosto 1779’ [View of 30th eruption of ash of the 9 August 1779]

Creator: Francesco Catozzo, engraved by Gennaro Bartolo in 1804

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 14.

Date: 1805

Format: Engraving

Image reference: 02-58

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 30th eruption of Mount Vesuvius, 8 August 1779

Title: ‘Veduta della trigesima eruzione di fuoco fatta dal Vesuvio li 8 Agosto 1779’ [View of 30th fiery eruption made by Vesuvius on 8 August 1779]

Creator: Luigi Fergola, engraved by Gennaro Bartolo in 1804

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 13.

Date: 1805

Format: Engraving

Image reference: 02-57

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the crater of Mount Vesuvius, 1775

Title: ‘Veduta decimaterza del cratere del anno 1775 con le varie fumarole’ [13th view of the crater of the year 1775 with various fumaroles]

Creator: Oduardo Fischietti, engraved by Gennaro Bartoli

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 12.

Date: 1805

Format: Engraving

Image reference: 02-56

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 29th eruption of Mount Vesuvius, 1771

Title: ‘Veduta della 29a eruzione del Monte Vesuvio accaduta l’anno 1771’ [View of the 29th eruption of Mount Vesuvius which occurred in the year 1771]

Creator: Olivio d’Anna, engraved by Pietro Garboni

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 11.

Date: 1805

Format: Engraving

Image reference: 02-55

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 27th eruption of Mount Vesuvius, 1766 

Title: ‘Veduta della 27ma eruzione del Monte Vesuvio accaduta l’anno 1766’ [View of the 27th eruption of Mount Vesuvius which occurred in the year 1766]

Creator: Raffaele Aloja

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 9.

Date: 1805

Format: Engraving

Image reference: 02-53

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 26th eruption of Mount Vesuvius, 23 December 1760 

Title: ‘Veduta della 26a eruzione accaduta li 23 Décembre 1760’ [View of the 26th eruption which occurred on 23 December 1760]

Creator: Oliva d’Anna, engraved by P Toro

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 8.

Date: 1805

Format: Engraving

Image reference: 02-52

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 25th eruption of Mount Vesuvius, 27 and 28 March 1759

Title: ‘Veduta della 25a eruzione accaduta li 27 e 28 Marzo del 1759’ [View of the 25th eruption which occurred on 27 and 28 March 1759]

Creator: Lomasto

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 7.

Date: 1805

Format: Engraving

Image reference: 02-51

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 24th eruption of Mount Vesuvius, 1754 

Title: ‘Veduta della 24a eruzione dell Monte Vesuvio accaduta l’anno 1754’ [View of the 24th eruption of Mount Vesuvius which occurred in the year 1754]

Creator: Oduardo Fischietti, engraved by Vinc. Scarpati

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 6.

Date: 1805

Format: Engraving

Image reference: 02-50

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 23rd eruption of Mount Vesuvius, 1751, taken from the south side 

Title: ‘Veduta della stessa 23a eruzione dell 1751 presa dalla parte de Mezzogiorno’ [View of the same 23rd eruption taken from the south side]

Creator: Unknown

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 5.

Date: 1805

Format: Engraving

Image reference: 02-49

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 23rd eruption of Mount Vesuvius, 1751 

Title: ‘Veduta quarta della 23a eruzione accaduta nell’ anno 1751’ [Fourth view of the 23rd eruption which occurred in 1751]

Creator: Oliva d’Anna, engraved by Raffaele Aloja

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 4.

Date: 1805

Format: Engraving

Image reference: 02-48

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 22nd eruption of Mount Vesuvius, 1737 

Title: ‘Veduta terza ventiduesima eruzione del anno 1737’ [Third view of the 22nd eruption of 1737]

Creator: Oduardo Fischietti, engraved by Vinc. Scarpati

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 3.

Date: 1805

Format: Engraving

Image reference: 02-47

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of the 13th eruption of Mount Vesuvius, 16 December 1631 

Title: ‘Veduta della 13a eruzione accaduta li 16 Decembre 1631’ [View of the 13th eruption which happened on the 16 December 1631]

Creator: Oliva d’Anna, engraved by Pietro Toro

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 2.

Date: 1805

Format: Engraving

Image reference: 02-46

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

View of Mount Vesuvius before the eruption of 1631

Title: ‘Veduta prima prospetto del Vesuvio innazi l’eruzione del anno 1631’ [View of Vesuvius before the eruption of 1631]

Creator: Oduardo Fischietti, engraved by Vinc. Scarpati

Description: From a volume collating views of historical eruptions of Mount Vesuvius from images held in the collection of the Duc de la Tour, published as: Tour, Duc de la, ‘Recueil de toutes les vues qui existoient dans le cabinet du Duc de la Tour et qui représentoient les incendies du Mont Vesuve arrivés jusqu’ à présent. Avec les descriptions correspondantes tirées pour la première fois de l’histoire on y a ajouté aussi les deux lettres de Pline le jeune, ou l’on parle du premier incendie arrivé l’an 79 de l’Ere Chrétiènne’, Naples: Chez Nicolas Gervasi (1805). Plate 1.

Date: 1805

Format: Engraving

Image reference: 02-45

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

‘A Delineation of the Strata of England and Wales, with part of Scotland… (1815)

Title: ‘A Delineation of the Strata of England and Wales, with part of Scotland; exhibiting the collieries and mines, the marshes and fen lands originally overflowed by the sea, and the varieties of soil according to the variations in the substrata, illustrated by the most descriptive names’

 Creator: William Smith (1769-1839)

Description:  This famous map by William Smith is acknowledged as the first geological map of a country ever produced. It is one of around 20 of the earliest copies which were issued around September 1815 probably distributed to the more important subscribers.  The Geological Society received a copy, but this particular version belonged to the Society’s first President George Bellas Greenough (1778-1855).

Comparing the two, it can be seen that the colouring style differs.  The map’s publisher John Cary was known to have employed at least four different colourists on Smith’s map so it is likely the two maps were coloured by different hands.

As Greenough oversaw the authorship of the Geological Society’s ‘Geological Map of England and Wales’ (1820) which was being drafted around the same time, it led to accusations of plagiarism.  Greenough denied this stating that he only saw Smith’s map after his own had been at the printers for some time.  However the sheets of this copy of Smith’s map are marked with notes such as “’This sheet can be of no further use to the Geol Map, Nov 1818”, indicating that he did make some use of it.

Date: [September] 1815, annotations by George Bellas Greenough, 1818

Format: Watercolour on engraved base

Archive reference: LDGSL/947/B/6/4

Image reference: 07-182

 Size of original: 176cm x 259cm

‘Geological Map of England and Wales’ (1865) 3rd edition

Title: ‘Geological Map of England and Wales’ (1865) 3rd edition

Creator: George Bellas Greenough (1788-1855), et al

Description: The first two editions of the Geological Society’s ‘Geological Map of England and Wales’ under the authorship of its first President, George Bellas Greenough were published in 1820 and 1840 respectively.

The first edition proved controversial as it was issued just five years after William Smith’s seminal ‘A Delineation of the Strata of England and Wales, with part of Scotland’ (1815) which therefore led to accusations of plagiarism – especially as Greenough himself was one of the first to receive a copy of the map probably around September of that year.  However Greenough used multiple sources and collaborators on his own map which some have described as being the first crowd-sourced map.

This is the third and final edition of the map published in 1865 under the authority of a new Map Committee. The legend cites a number of sources and authors, but notably modifies the map’s title to ‘A Geological Map of England & Wales by G B Greenough F R S, on the basis of the original map by Wm Smith, 1815’. Greenough would not have approved, but by then he and the majority of his close collaborators were deceased. The revised legend may have been influenced by the Committee’s first chair, President John Phillips (1800-1874), who was, of course, William Smith’s nephew.

Date: 1865

Format: Hand colouring on engraved base

Archive reference: LDGSL/979A/3

Image reference: 07-183

Recommended print size: Up to 100 x 70cm (40in x 27in)

Greenough’s ‘Geological Map of England and Wales’ – uncorrected proof before mountains [1818]

Title: Greenough’s ‘Geological Map of England and Wales’ – uncorrected proof before mountains [1818]

Creator: Samuel John Neele (1752-1824) after Thomas Webster (1772-1844)

Description: One of George Bellas Greenough’s (1778-1855) major achievements was the production of the Geological Society’s ‘Geological Map of England and Wales’ issued in May 1820.  Coming just five years after William Smith’s map ‘A Delineation of the Strata of England and Wales, with part of Scotland’ (1815), it proved controversial due to accusations of plagiarism.  However Greenough’s map had been in long gestation and was, despite its single author, a collaborative effort.  One of the reasons it took so long to come out was the production of a new base map.

The plan had been to use Aaron Arrowsmith’s existing map, but Greenough was unhappy with its topography. The cost of having Arrowsmith re-engrave it was £900, but the total budget, raised from the Geological Society’s Members, was only £1,000. Therefore a new base map was commissioned in the belief it would be cheaper.  Instead it took over five years to construct and was substantially more expensive, costing £1,720 to produce.

Thomas Webster drafted the outline map consisting of the coast and rivers with name of principal places and districts which was ready to be engraved by the end of 1814. The cartographer Samuel  Neele agreed to engrave the map, starting in June 1815.  He would not finish until April 1819 as Greenough fussed over the details.

According to Neele’s record of his engraving activities, two sets of proofs ‘not connected with mountains’ for final corrections were printed on 19 April 1818, one of which may be this map.

Date: [?April 1818]

Format: Engraving

Archive reference: LDGSL/947/5/1/6

Image reference: 07-181

Recommended print size: Up to 100 x 70cm (40in x 27in)

Greenough’s ‘Geological Map of England and Wales’ – earliest surviving proof [1816]

Title: Greenough’s ‘Geological Map of England and Wales’ – earliest surviving proof [1816]

Creator: Samuel John Neele (1752-1824) after Thomas Webster (1772-1844)

Description: One of George Bellas Greenough’s (1778-1855) major achievements was the production of the Geological Society’s ‘Geological Map of England and Wales’ issued in May 1820.  Coming just five years after William Smith’s map ‘A Delineation of the Strata of England and Wales, with part of Scotland’ (1815), it proved controversial due to accusations of plagiarism.  However Greenough’s map had been in long gestation and was, despite its single author, a collaborative effort.  One of the reasons it took so long to come out was the production of a new base map.

The plan had been to use Aaron Arrowsmith’s existing map, but Greenough was unhappy with its topography. The cost of having Arrowsmith re-engrave it was £900, but the total budget, raised from the Geological Society’s Members, was only £1,000. Therefore a new base map was commissioned in the belief it would be cheaper.  Instead it took over five years to construct and was substantially more expensive, costing £1,720 to produce.

Thomas Webster drafted the outline map consisting of the coast and rivers with name of principal places and districts which was ready to be engraved by the end of 1814. The cartographer Samuel  Neele agreed to engrave the map, starting in June 1815.  He would not finish until April 1819 as Greenough fussed over the details.

The first proof, which does not survive, was viewed by Council in January 1816 but the quality was thought too faint to be legible. These partial sheets are likely to be the second or third proofs issued.

Date: [1816]

Format: Engraving

Archive reference: LDGSL/947/5/1/4

Image reference: 07-180

Recommended print size: Up to 100 x 70cm (40in x 27in)  [Note the narrow dimensions of the original image]

Greenough’s and Sharpe’s Geological Map of Scotland [1852] – final copy

Title: Geological map of Scotland [1852]

Creator: Daniel Sharpe (1806-1856) and George Bellas Greenough (1778-1855)

Description: On the 23 July 1851, a committee headed by George Bellas Greenough, was tasked with assessing the Society’s Map collection holdings and make suggestions to improve their availability for the Geological Society’s Fellows. Their report on 17 December 1851 recommended that a copy of Samuel Lewis’ ‘A map of Scotland divided into counties shewing the principal roads, railways, rivers, canals, lochs, mountains, islands, etc’ be  purchased and a further committee existing of Greenough and Daniel Sharpe should undertake its geological colouring.

The annotation on the map indicates that it was solely the work of Daniel Sharpe and therefore has been historically catalogued as such. However there are a number of draft versions survive in Greenough’s own map collection which were presumably created as part of this project. For instance anothre fair copy version (LDGSL/947/6/C/5) on the same base map uses a slightly different colour scheme, ie gneiss is pink on that map, but yellow on this final version.

Date: [1852]

Format: Hand colouring on engraved base map

Archive reference: LDGSL/702

Image reference: 07-179

Recommended print size: Up to 100 x 70cm (40in x 27in)

 

 

 

Earliest geological map of Ireland [?1814]  

Title: Earliest geological map of Ireland [?1814]

Creator: probably by or after Richard Griffith (1784-1878)

Description: The map belonged to George Bellas Greenough (1778-1855) who was in Ireland with Richard Griffith in 1813. Griffith wished to compile a geological map of the country for his forthcoming lecture series but complained that the only map he had – Alexander Taylor’s ‘New Map of Ireland’, published by William Faden, 1793 – was too small.  Instead he requested that if Greenough sent him Aaron Arrowsmith’s much larger map Griffith in return would colour the Taylor map and send it back to him.

Griffith would eventually publish the first version of his geological map of Ireland in 1837, but none of his early drafts of the map were thought to survive.

There are only nine different colours on the key, referring to rather simplistic delineations of rock types such as granite, mountain limestone, coal, mica slate and quartz

Date: [?1814]

Format: Hand colouring on engraved base map

Archive reference: LDGSL/947/6/F/4

Image reference: 07-178

Recommended print size: Up to 100 x 70cm (40in x 27in)

‘Cavern at Thompson’s Point’, St Helena

Title: ‘Cavern at Thompson’s Point’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 2.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-65

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘Flagstaff & Barnhills with Sugar-loaf in the distance…’, St Helena

Title: ‘Flagstaff & Barnhills with Sugar-loaf in the distance supposed to have formed three sides of a Crater’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 3.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-64

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘Part of the Coast near Flagstaff hill’, St Helena 

Title: ‘Part of the Coast near Flagstaff hill’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 3.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-63

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘Basaltic strata in the Barn’, St Helena 

Title: ‘Basaltic strata in the Barn’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 5.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-62

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘The Asses Ears’ & ‘Lott’s Wife’, St Helena 

Title: ‘The Asses Ears’ & ‘Lott’s Wife’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 7.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-61

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘Lott’, St Helena 

Title: ‘Lott’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 8.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-60

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘The Chimney’, St Helena 

Title: ‘The Chimney’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 9.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-59

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘Sandy Bay’, St Helena 

Title: ‘Sandy Bay’, St Helena

Creator: M Gauci after Robert F Searle

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 10.

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology.

Date: 1832

Format: Coloured lithograph

Image reference: 09-58

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

Mastodon giganteus

Title: Mastodon giganteus

Creator: Lithographed by J H Bufford & Co

 Description: Print of a fossil skeleton of Mastodon giganteus, from Warren, J.C. ‘The Mastodon giganteus of North America’, Boston [Mass.]: Printed by John Wilson and Son (1852).

The image is from a book dedicated to a description of this fossil skeleton which was found in Newburgh, in the state of New York in 1845.  The valley in which the Mastodon was found, was part of the land belong to the farm of a Mr N Brewster.  The summer of 1845 had been unusually dry and the valley, which was normally wet and swampy, dried out to expose small lacustrine deposits which Brewster wanted to use as fertiliser.  The book recounts how Brewster’s labourers dug through a thickness of two feet of a peat-bog then a layer of red moss about a foot thick, and finally fell upon a bed of shell-marl.  After raising about a foot of this they struck on something hard.

Brewster, his son William, his son-in-law Mr Weeks accompanied by a large number of neighbours and other visitors, returned to the spot the next day to excavate the skeleton. The bones were cleaned and dried and then articulated by a local physician Dr Prime. The specimen was subsequently sent onto New York where it was acquired by the surgeon John Collins Warren (1778-1856).  As well as authoring this work, Warren is known for his early use of anaesthesia during surgery.

Date: 1852

Format: Lithograph

Image reference: 03-30

Recommended print size: Up to 100 x 70cm (40in x 27in)

Coast near Thomson’s Point, St Helena 

Title: View of the Coast near Thomson’s Point, St Helena 

Creator: M Gauci after Robert F Searle 

Description: From: Seale, R.F. The geognosy of the island St. Helena, illustrated in a series of views, plans and sections; accompanied with explanatory remarks and observations. London: Published by Ackermann and Co (1834), plate 1. 

Searle was a member of the Civil Establishment of the United East India Company based on the island of St Helena when he wrote and illustrated this work attempting to describe its spectacular basaltic geology. 

Date: 1832 

Format: Coloured lithograph 

Image reference: 09-66 

Recommended print size: Up to 20 x 16 inches (50 x 40cm) 

Geognostic map of the Harz Mountains (1832)

Title: Charte vom Harz Gebirge mit geognostischer bezeichnung. Nach Lasius, Villefosse, Julius, Berghaus und Hoffmann mit eignen Berichtigungen [Geognostic map of the Harz Mountains, after Lasius, Villefosse, Julius, Berghaus and Hoffman with corrections] 

Creator: Christian Zimmerman (1768-1853) 

Description: Taken from: Zimmermann, C. Das Harzgebirge in besonderer Beziehung auf Natur- und Gewerbskunde geschildert. Ein Handbuch für Reisende und Alle, die das Gebirge näher kennen zu lernen wünschen, mit Nachweisungen über Naturschönheiten. In Verbindung mit Freunden unternommen. Darmstadt: Druck und Verlag von Carl Wilhelm Leske (1834). 

This travel book to the Harz Mountains in Germany, is from the collection of George Bellas Greenough, first President of the Geological Society. 

Date: 1832 

Format: Hand coloured engraving 

Image reference: 07-177 

Recommended print size: Up to 70 x 50cm (27in x 20in) [Note: the dimensions of the map are 62 x 50cm] 

Island of Arran engraved for an outline of its mineralogy  (1800)

Title: ‘The Island of Arran engraved for an outline of its mineralogy 

Description: Plate from the Scottish mineralogist Robert Jameson’s book ‘Mineralogy of the Scottish Isles; with mineralogical observations made in a tour through different parts of the mainland of Scotland, and dissertations upon peat and kelp’, Edinburgh (1800).   

Date: 1800 

Format: Engraving 

Image reference: 07-176 

Recommended print size: Up to A4 (30 x 20cm) 

View of the Great Cave of Isla looking outwards 

Title: ‘View of the Great Cave of Isla looking outwards 

Creator: I Grant for Robert Jameson (1774-1854] 

Description: Plate from the Scottish mineralogist Robert Jameson’s book ‘Mineralogy of the Scottish Isles; with mineralogical observations made in a tour through different parts of the mainland of Scotland, and dissertations upon peat and kelp’, Edinburgh (1800).   

Date: 1800 

Format: Engraving 

Image reference: 05-123 

Recommended print size: Up to 16 x 12 inches (40 x 30cm) 

View of a perforated Basaltic Vein N W Coast of Jura 

Title: ‘View of a perforated Basaltic Vein N W Coast of Jura’ 

Creator: R Scott, Edinburgh for Robert Jameson (1774-1854] 

Description: Plate from the Scottish mineralogist Robert Jameson’s book ‘Mineralogy of the Scottish Isles; with mineralogical observations made in a tour through different parts of the mainland of Scotland, and dissertations upon peat and kelp’, Edinburgh (1800).   

Date: 1800 

Format: Engraving 

Image reference: 05-122 

Recommended print size: Up to 16 x 12 inches (40 x 30cm) 

Jameson’s outline map of Scotland (1800)

Title: Map of Scotland engraved for the outline of the mineralogy of the Scottish Isles 

Creator: J Menzies for Robert Jameson (1774-1854)

Description: Map showing the route taken by the Scottish mineralogist Robert Jameson to view the major geological and mineralogical sites of Scotland for his book ‘Mineralogy of the Scottish Isles; with mineralogical observations made in a tour through different parts of the mainland of Scotland, and dissertations upon peat and kelp’, Edinburgh (1800).  Notably, one of the most important sites in the history of geology is missing from his tour – Siccar Point.  Jameson was notoriously dismissive of the theories of its discoverer, James Hutton (1726-1797). 

Date: 1800 

Format: Engraving 

Image reference: 07-175 

Recommended print size: Up to 20 x 16 inches (50 x 40cm) 

Productus scoticus 

Title: Productus scoticus 

Creator: James Sowerby (1757-1822) 

Description: Separately published print showing three specimens of Productus scoticus. The short captions indicate location, owners and date of discovery: 1. Closeburn, C S Menteith Esquire, 1819; 2. Mynidd Careg, near Kidwelly, Caermarthenshire, Richard Taylor Esquire, 1816; 3. Cumberland.  The print was on sale for 1s in 1819 but by 1822 the price had risen to 1s 6d. 

Date: [1819] 

Format: Coloured etching 

Archive reference: LDGSL/593 

Image reference: 04-62 

Recommended print size: Up to 20 x 16 inches (50 x 40cm) 

‘Two views of a fossil bivalve allied to Diceras…’ 

Title: ‘Two views of a fossil bivalve allied to Diceras from the lower green sand at Stoke Orchard near Calne, in Wiltshire.  In the collection of Mr Goodhall, no.55 Crutched Friars, London, January 1831.’ 

Creator: Henry Humphrey Goodhall (d.1835) 

Description: Separately published print.  The specimen was figured in Sowerby’s ‘Mineral Conchology’ (1836), plate 13 as the type specimen Diceras lonsdalii. 

Date: 1831 

Format: lithograph 

Archive reference: LDGSL/595 

Image reference: 04-61 

Recommended print size: Up to 20 x 16 inches (50 x 40cm) 

Hypponyx cornucopia & Patella, Hauteville, De Gerville

Title: Hypponyx cornucopia & Patella, Hauteville, De Gerville 

Creator: James Sowerby (1757-1822) 

Description: Separately published print of fossil gastropods from France which was originally sold for 1 shilling. 

Date: 1817 

Format: Coloured etching

Archive reference: LDGSL/597/1 

Image reference: 04-60 

Recommended print size: Up to 20 x 16 inches (50 x 40cm) 

Draft of the first geological map of Jersey [c.1828]

Title: Draft of the first geological map of Jersey

Creator: Richard John Nelson (1803-1877)

Description: The map, which was a rough draft for the first geological map of the island which was intended for inclusion in Nelson’s paper “Geological survey of the island of Jersey”, Quarterly Journal of Science, Literature and the Arts, vol 6 (1829) p.359-378, but was never published.

Date: [c.1828]

Format: Watercolour and pencil

Archive reference: LDGSL/722

Image reference: 07-174

Recommended print size: Up to 70 x 50cm (27in x 20in)

First geological map of Jersey [c.1828]

Title: First geological map of Jersey

Creator: Richard John Nelson (1803-1877)

Description: Geological colouring and explanation on base map ‘The island of Jersey, as divided into parishes and vingtaines or cantons’, scale 1 inch to 1 mile, published, 1825. Foldout, manuscript key in another hand.

The map, which was the first geological map of the island, was prepared for inclusion in Nelson’s paper “Geological survey of the island of Jersey”, Quarterly Journal of Science, Literature and the Arts, vol 6 (1829) p.359-378, but was never published.

Date: [c.1828]

Format: Watercolour on base map

Archive reference: LDGSL/723

Image reference: 07-173

Recommended print size: Up to 70 x 50cm (27in x 20in)

Teeth of Acrodus anningiae Agassiz

Title: Teeth of Acrodus anningiae Agassiz

Creator: Joseph Dinkel

Description: Watercolour of the teeth of the fossil fish Acrodus anningiae Agassiz, from the collection of William Willoughby Cole, later 3rd Earl of Enniskillen. The species, found in the Lias, Lyme Regis, was named by Louis Agassiz in honour of Mary Anning.

Date: [1834]

Format: Watercolour

Archive reference: LDGSL/616/2/77/13

Image reference: 16-22

Recommended print size: Up to A4 (30 x 20cm)

Landslip, Lyme Regis, Dorset

Title: ‘Landslip, Lyme Regis, Dorset’

Creator: Rock & Co, London

Description: Views of Lyme Regis and its environs from the book: Brown, R, ‘The beauties of Lyme Regis, Charmouth, the Land-slip, &c’, 2nd edn., enlarged and revised London: Longman, Brown, Green, and Longmans, (1858), plate 6.

Date: 25 April 1857

Format: Steel engraving

Image reference: 27-36

Recommended print size: Up to A4 (30 x 20cm)

Lyme Regis

Title: ‘Lyme Regis’

Creator: J Newman, sold by Daniel Dunster

Description: Views of Lyme Regis and its environs from the book: Brown, R, ‘The beauties of Lyme Regis, Charmouth, the Land-slip, &c’, 2nd edn., enlarged and revised London: Longman, Brown, Green, and Longmans, (1858), plate 5.

Date: 1858

Format: Steel engraving

Image reference: 27-35

Recommended print size: Up to A4 (30 x 20cm)

Charmouth, Dorset from the Bridport Road

Title: ‘Charmouth, Dorset from the Bridport Road’

Creator: Rock & Co, London

Description: Views of Lyme Regis and its environs from the book: Brown, R, ‘The beauties of Lyme Regis, Charmouth, the Land-slip, &c’, 2nd edn., enlarged and revised London: Longman, Brown, Green, and Longmans, (1858), plate 4.

Date: 8 Sep 1855

Format: Steel engraving

Image reference: 27-34

Recommended print size: Up to A4 (30 x 20cm)

Charmouth, Dorset from Catherstone

Title: ‘Charmouth, Dorset from Catherstone’

Creator: Rock & Co, London

Description: Views of Lyme Regis and its environs from the book: Brown, R, ‘The beauties of Lyme Regis, Charmouth, the Land-slip, &c’, 2nd edn., enlarged and revised London: Longman, Brown, Green, and Longmans, (1858), plate 3.

Date: 8 Sep 1855

Format: Steel engraving

Image reference: 27-33

Recommended print size: Up to A4 (30 x 20cm)

Lyme Regis, from Pierhead

Title: ‘Lyme Regis, from Pierhead’

Creator: Rock & Co, London

Description: Views of Lyme Regis and its environs from the book: Brown, R, ‘The beauties of Lyme Regis, Charmouth, the Land-slip, &c’, 2nd edn., enlarged and revised London: Longman, Brown, Green, and Longmans, (1858), plate 2.

Date: 10 Oct 1855

Format: Steel engraving

Image reference: 27-32

Recommended print size: Up to A4 (30 x 20cm)

View of Lyme Regis

Title: ‘Lyme Regis’

Creator: J Drayton Jnr

Description: Views of Lyme Regis and its environs from the book: Brown, R, ‘The beauties of Lyme Regis, Charmouth, the Land-slip, &c’, 2nd edn., enlarged and revised London: Longman, Brown, Green, and Longmans, (1858), plate 1.

Date: 1858

Format: Steel engraving

Image reference: 27-31

Recommended print size: Up to 10 x 8 inches (25 x 14cm)

‘Landslip Under Southdown between Beer Head and Branscombe…’

Title: ‘Landslip Under Southdown between Beer Head and Branscombe, which took place 1789-90 looking Westward to Sidmouth, Torbay and the Start Point’

Creator: Lithographed by George Scharf after drawing by William Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 10.

Date: 1840

Format: Coloured lithograph

Image reference: 27-30

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘View of the Landslip from Whitlands…’

Title: ‘View of the Landslip from Whitlands, about one mile to the eastward of the great Chasm at Dowlands which took place on the 3rd February 1840′

Creator: Lithographed by George Scharf after drawing by William Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 9.

Date: 1840

Format: Coloured lithograph

Image reference: 27-29

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘View from the Western End of the Beach near Culverhole Point…’

Title: ‘View from the Western End of the Beach near Culverhole Point, looking Eastward’

Creator: Lithographed by George Scharf after drawing by William Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 8.

Date: 1840

Format: Coloured lithograph

Image reference: 27-28

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘View from the New Beach looking Westward to Beer Head’

Title: ‘View from the New Beach looking Westward to Beer Head’

Creator: Lithographed by George Scharf after drawing by William Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 7.

Date: 1840

Format: Coloured lithograph

Image reference: 27-27

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘View of the Great Chasm from its Western end at Bindon…’

Title: ‘View of the Great Chasm from its Western end at Bindon, looking Eastward to the Coast of Dorset and Portland’

Creator: Lithographed by George Scharf after drawing by William Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 6.

Date: 1840

Format: Coloured lithograph

Image reference: 27-26

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘View of the Axmouth Landslip from Dowlands…’

Title: ‘View of the Axmouth Landslip from Dowlands, looking Westward upon the Undercliff and New Beach raised from the bottom of the sea on the 25th December 1839′

Creator: Drawn on the spot by Mary Buckland, 30 December 1839, lithographed by George Scharf

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 5.

Date: 1840

Format: Coloured lithograph

Image reference: 27-25

Recommended print size: Up to 70 x 50cm (27in x 20in) [Note the narrow nature of the print]

‘Geological section of the Chasm, Undercliff and New Raised Beach from the Eastern boundary of Great Bindon to the sea’

Title: ‘Geological section of the Chasm, Undercliff and New Raised Beach from the Eastern boundary of Great Bindon to the sea’

Creator: William Daniel Conybeare and William Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 3.

Date: 1840

Format: Coloured lithograph

Image reference: 27-23

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘Geological view of the coast from Lyme Regis…to Axmouth Harbour…’

Title: ‘Geological view of the coast from Lyme Regis in the County of Dorset to Axmouth Harbour on the East Coast of Devon’

Creator: William Daniel Conybeare and William Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 2.

Date: 1840

Format: Coloured lithograph

Image reference: 27-22

Recommended print size: Up to 100 x 70cm (40in x 27in) [Note the narrow nature of the print]

Coleia Antiqua

Title: Coleia Antiqua, a crustacean from Lyme Regis

Creator: John Christian Zeitter

Description: This crustacean Coleia Antiqua, from the fossil collection of William Willoughby Cole (1807-1886), later 3rd Earl of Enniskillen, was acquired from Mary Anning (1799-1847). Cole and his great friend Sir Philip de Malpas Egerton (1806-1881) were both avid fossil collectors, travelling the British Isles in search of specimens, including in the company of Mary Anning.

From: Broderip, W J, Description of some Fossil Crustacea and Radiata, found at Lyme Regis, in Dorsetshire, Transactions of the Geological Society of London, S2-5 (1837), pp171-174 

Date: 1837

Format: Lithograph

Image reference: 27-21

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

‘Squaloraia’ [lithograph]

Title: Lithograph of the Squaloraia [Squaloraja]

Creator: George Scharf after Charles Weber

Description: The front part of the fossil fish Squaloraja was found by Mary Anning at the end of December 1829. The original fossil was purchased by John Naish Sanders (c.1777-1870) and donated to the Bristol Institution. It was there that it came to the attention of the physician Dr Henry Riley (1797-1847) who published the first scientific description of the new fish in the Geological Society’s Proceedings in 1833. The final paper was published with this illustration as: Riley, H “On the Squaloraia”, ‘Transactions of the Geological Society of London’, Series 2, vol 5 (1837), pp83-88.

The black and white image is copied not from the original artwork which the Society now holds but from the coloured lithograph which appeared in Agassiz, J L R. ‘Recherches sur les Poissons Fossiles’ (1833-1843/1844), Vol 3, Tab 42, livraison issued 1836.

Date: 1837

Format: Lithograph

Image reference: 27-20

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

Skeleton of a Plesiosaur from Lyme Regis

Title: ‘Squellette fossile de plesiosaurus de Lyme-Regis’

Description: Engraving of the second (partially) complete plesiosaur ever discovered. Mary Anning (1799-1847) did not find this fossil herself, instead she purchased it from another local fossil collector for £3 and sold it on for £10 to the French geologist Louis Constant Prevost (1787-1856) during his visit to Lyme Regis in June 1824.

The insert showing the head and neck is taken from an engraving of the Plesiosaurus dolichodeirus, the first complete plesiosaur which was found by Anning in Lyme Regis on the 10 December 1823.

From: Cuvier, G, Discours sur les révolutions de la surface du globe, et sur les changemens qu’elles ont produits dans le règne animal. Paris: Chez G. Dufour et Ed. d’Ocagne. (1826), Plate 3. Head and neck insert taken from:  Conybeare, W D, “On the Discovery of an almost perfect Skeleton of the Plesiosaurus”, Transactions of the Geological Society of London, Series 2, vol 1 (1824), pp381-389. 

Date: 1826

Format: Engraving

Image reference: 27-19

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Tail of Squalo-raja (Spinacorhinus) polyspondila Agassiz

Title: Tail of Squalo-raja (Spinacorhinus) polyspondila Agassiz

Creator: Charles Weber (1801-1875)

Description: The front part of the fossil fish Squaloraja polyspondila Agassiz, was found by Mary Anning (1799-1847) at the end of December 1829. This drawing shows the tail which she found later and became part of the collection of the Lyme Regis resident Elizabeth Philpot (1780-1857).

Published in Agassiz, J L R. ‘Recherches sur les Poissons Fossiles’ (1833-1843/1844), Vol 3, Tab 43, livraison issued 1836.

Date: [1835]

Format: Watercolour

Archive reference: LDGSL/613/4/100/1

Image reference: 27-18

Recommended print size: Up to A4 (30 x 20cm)

Ground plan and sections of the Great Landslip at Great and Little Bindon and Dowlands…

Title: ‘Ground plan and sections of the Great Landslip at Great and Little Bindon and Dowlands, in the Parish of Axmouth on the East Coast of Devon which took place on 25th December 1839′

Creator: George Scharf after drawing by W Dawson

Description: The Axmouth-Lyme Regis stretch of the south coast of England comprises one of the best known areas of landslipping in Great Britain. It includes the site of the first large-scale landslide ever to have been the subject of detailed scientific description by geologists: the Great Bindon Landslide which happened on Christmas Day, 1839.

Fortuitously William Buckland (1784-1856) and his scientific artist wife Mary née Morland (1797-1857) were quickly on the spot as they had been visiting fellow geologist Wiliam Daniel Conybeare (1787-1857) in nearby Axminster. The three, along with Mary Anning (1799-1847), investigated the incident.

From: W D Conybeare’s and William Buckland’s work ‘Ten plates comprising a plan, sections, and views, representing the changes produced on the coast of East Devon, between Axmouth and Lyme Regis by the subsidence of the land and elevation of the bottom of the sea, on the 26th December, 1839, and 3rd of February, 1840’, London: John Murray (1840), plate 1.

Date: 1840

Format: Coloured lithograph

Image reference: 27-17

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

Plesiosaurus macrocephalus

Title: Plesiosaurus macrocephalus

Description: The fossil of a juvenile Plesiosaurus macrocephalus was the first of its species found. It was discovered by Mary Anning at Lyme Regis in December 1830 and named by William Buckland in 1836. William Willoughby, Lord Cole, later Earl of Enniskillen (and Fellow of the Geological Society), purchased the fossil in 1831 for the then massive sum of 200 guineas. The specimen is now housed at the Natural History Museum. 

An image of the creature was first published in: Buckland, W, Geology and mineralogy considered with reference to natural theology. London: William Pickering (1836). (The Bridgewater treatises on the power, wisdom, and goodness of God, as manifested in the creation, 6), plate 19.

Date: 1836

Format: Woodcut

Image reference: 27-16

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Pterodactylus macronyx

Title: ‘Pterodactylus macronyx found in the Lias, Lyme Regis, December 1828′

Creator: Lithographed by George Scharf after drawing by William Clift

Description: The first British pterosaur was found by Mary Anning (1799-1847) in December 1828. Named by William Buckland (1784-1856) as Pterodactylus macronyx, it is now known as Dimorphodon macronyx (1829 Buckland). Despite missing its head, Buckland estimated the flying creature to be about the size of a raven but closer in resemblance to a modern bat.  

From: Buckland, W “On the Discovery of a New Species of Pterodactyle in the Lias at Lyme Regis”, Transactions of the Geological Society of London, Series 2, vol 3 (1829), pp217-222.

Date: 1829

Format: Lithograph

Image reference: 27-15

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Dimorphodon macronyx

Title:  Dimorphodon macronyx (Buckland 1829)

Description: Reconstruction of Dimorphodon macronyx (Buckland 1829) from: Owen, R, ‘Monograph of the Fossil Reptilia of the Liassic Formations’, Monograph of the Palaeontographical Society, Vol 35 (1881).

The fossil of the first British pterosaur was found by Mary Anning in December 1828. Named by William Buckland as Pterodactylus macronyx, it is now known as Dimorphodon macronyx (1829 Buckland).

Date: 1881

Format: Lithograph

Image reference: 27-14

Recommended print size: Up to 100 x 70cm (40in x 27in) [Note the narrow nature of the original]

Plesiosaurus dolichodeirus

Title: Plesiosaurus dolichodeirus

Description: Image of the first articulated plesiosaur which was discovered by Mary Anning (1799-1847) on 10 December 1823. The fossil was bought by the Duke of Buckingham for around 150 guineas. It was purchased by British Museum from his estate in 1848 and can now be found at the Natural History Museum.

From: Conybeare, W D, “On the Discovery of an almost perfect Skeleton of the Plesiosaurus”, Transactions of the Geological Society of London, Series 2, vol 1 (1824), pp381-389

Date: 1824

Format: Lithograph

Image reference: 27-13

Recommended print size: Up to 70 x 50cm (27in x 20in)

Plesiosaurus from Lyme Regis

Title: ‘Plesiosaurus from Lyme Regis’ [Plesiosaurus dolichodeirus]

Description: The image is an inverted copy of the plate published in 1824 which described the first articulated plesiosaur which was discovered by Mary Anning (1799-1847) in December 1823.

From: Pidgeon, E, ‘The fossil remains of the animal kingdom’, London: Whittaker, Treacher, & Co (1830), after Conybeare, W D, “On the Discovery of an almost perfect Skeleton of the Plesiosaurus”, Transactions of the Geological Society of London, Series 2, vol 1 (1824), pp381-389

Date: 1830

Format: Lithograph

Image reference: 27-09

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

‘Skeleton of Ichthyosaurus and Plesiosaurus’

Title: ‘Skeleton of Ichthyosaurus and Plesiosaurus’

Description: Diagram showing the skeletons of an ichthyosaur and plesiosaur. The plate is a partial, inverted copy of the reconstructions made by William Daniel Conybeare (1787-1857 ) in 1824 which were based on two specimens found by Mary Anning (1799-1847) at Lyme Regis.

From: Pidgeon, E, ‘The fossil remains of the animal kingdom’, London: Whittaker, Treacher, & Co (1830), after Conybeare, W D, “On the Discovery of an almost perfect Skeleton of the Plesiosaurus”, Transactions of the Geological Society of London, Series 2, vol 1 (1824), pp381-389

Date: 1830

Format: Lithograph

Image reference: 27-08

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Diagram of the geological restorations at Crystal Palace

Title: ‘Diagram of the geological restorations at Crystal Palace’

Creator: Benjamin Waterhouse Hawkins (1807-1894).

Description: Diagram of dinosaurs and other extinct creatures reconstructed by Benjamin Waterhouse Hawkins to Crystal Palace Park which opened in 1854. A number of the reconstructed creatures were discovered by the fossil collector Mary Anning (1799-1847) in Lyme Regis.

From: Waterhouse Hawkins, B, “On visual education as applied to geology”, reprinted from the Journal of the Society of Arts no.78, (1854).

Date: 1854

Format: Lithograph

Image reference: 27-12

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Map of Crystal Palace Park (1854)

Title: Map of Crystal Palace Park showing the location of the extinct animals restored by Benjamin Waterhouse Hawkins (1807-1894).

Description: From a guide book written by Richard Owen about the newly unveiled geological attraction at Crystal Palace Park. Although she is not referenced, a number of the extinct creatures reconstructed by Benjamin Waterhouse Hawkins were found by the fossil collector Mary Anning (1799-1847) in Lyme Regis.

From: Owen, R. ‘Geology and inhabitants of the ancient world’, Crystal Palace Library and Bradbury & Evans: London (1854).

Date: 1854

Format: Lithograph

Image reference: 27-11

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Reconstruction of Plesiosaurus macrocephalus

Title: Reconstruction of Plesiosaurus macrocephalus

Description: Reconstruction of Plesiosaurus macrocephalus. Mary Anning (1799-1847) had found the first fossil of a juvenile form of Plesiosaurus macrocephalus at Lyme Regis in December 1830. It was named by William Buckland in 1836. William Willoughby, Lord Cole, later Earl of Enniskillen (and Fellow of the Geological Society), purchased the fossil in 1831 for the then massive sum of 200 guineas. The specimen is now housed at the Natural History Museum.

From: Owen, R. ‘Geology and inhabitants of the ancient world’, Crystal Palace Library and Bradbury & Evans: London (1854).

Date: 1854

Format: Woodcut

Image reference: 27-10

Recommended print size: Up to 10 x 8 inches (25 x 14cm)

William Smith (1769-1839)

Title: Portrait of William Smith

Creator: Hugues Fourau (1803-1873)

Description: Painting of William Smith. The son of an Oxfordshire blacksmith, he was the first person to recognise the importance of fossils in identifying strata of equivalent age, thus enabling rocks to be correlated across country. Using his geological knowledge, he made his living as a surveyor and engineer and his work involved him travelling up and down the country, during which he recorded the rocks he saw. The principal result of this first hand observational work, was his map of England and Wales (published in 1815) – the first geological map of a country ever made.

Despite this achievement, Smith was never a Fellow of the Society, probably due to his low social and economic status. ‘Strata Smith’ or ‘The Father of English Geology’ was, however, the recipient of the first Wollaston Medal in 1831 – still the Society’s highest award.

According to William Smith, writing on 29 June 1839, “In the summer of 1838 [sic, the portrait was actually painted in 1837], a tall, well-grown, fine-looking young gentleman from France, for a very short time became an inmate at my lodgings, 6 Lancaster-place, Waterloobridge, and had not been there more than three or four days before he said he ‘should like to take my portrait – it would make a good picture – if I would permit.’ I told him I could not afford to pay for it. ‘Oh,’ says he, ‘artists are never paid.’ Consent being given, he said, ‘Tomorrow me at 8, you at 10;’ and accordingly in the morning at 10 I found in my room he had prepared the canvas, put on his painter’s silk gown of all colours, adjusted the lights, placed me in one chair and himself in another, set to work, without any easel, and by 4 o’clock in the afternoon, with about half an hour’s re-touching the next morning, he produced a fine oil painting. “I never saw a man stick so closely to his task or handle his tools so dextrously. There was no time lost in idle conversation, for he could speak but few words of English, and I none of French.” It was thus, by the skill and generosity of my much esteemed young friend M Fourau, I became possessed of a fine oil painting. He requested me to write on the back of it – Portrait of Dr. William Smith, painted in London, which I did in a strong hand.” from Phillips, J, ‘Memoirs of William Smith, LLD’ (1844) p125-126.

The painting was presented to the Geological Society by Smith’s nephew, William Smith (of Cheltenham) in 1880. The frame contains a lock of Smith’s hair presented by Thomas Wright in 1884.

Date: 1837

Format: Oil painting in gilt frame

Archive reference: GSL/POR/15

Image reference: 01-16

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Mary Anning (1799-1847)

Title: Portrait of Mary Anning

Creator: Benjamin John Merifield Donne

Description: Pastel portrait of Mary Anning. One of the two figures in our major portrait collection who was not a Fellow of the Society.

Mary Anning lived in Lyme Regis all her life, earning money by collecting and selling fossils from the local cliffs. She was well known to many Fellows of the Society and was the discoverer of several fossil reptiles that were described at early Society meetings.

This portrait, which is a copy of an 1842 painting, was drawn when the artist Benjamin Donne was 19 years of age. Donne’s school was close by to Anning’s fossil shop in Lyme Regis and he knew her quite well.

In the background of the portrait is the Golden Cap headland, the highest point on the South Coast of England. The portrait is not only a memento mori for Anning but for her dog Tray, which is shown sleeping in the foreground. It was killed in a landslide around 1833.

The painting was presented to the Geological Society by the Earl of Enniskillen in 1875.

Date: 1850

Format: Pastel portrait in frame, 60 x 51 cm

Archive reference: GSL/POR/1

Image reference: 01-01

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Skulls of Plesiosaurus hawkinsii and Plesiosaurus macrocephalus

Title: Skulls of Plesiosaurus hawkinsii and Plesiosaurus macrocephalus

Creator: Drawn and lithographed by George Scharf

Description: Plate comparing the skulls of two species – Plesiosaurus Hawkinsii and Plesiosaurus macrocephalus. Mary Anning (1799-1847) had found the fossil of a juvenile Plesiosaurus macrocephalus at Lyme Regis in December 1830, which was the first of its species found. It was named by William Buckland in 1836. William Willoughby, Lord Cole, later Earl of Enniskillen (and Fellow of the Geological Society), purchased the fossil in 1831 for the then massive sum of 200 guineas. The specimen is now housed at the Natural History Museum.

From: Owen, R. “A description of Viscount Cole’s specimen of a Plesiosaurus macrocephalus”, Transactions of the Geological Society of London’ 2nd series, vol 5, pp515-535 (1838).

Date: 1838

Format: Lithograph

Image reference: 27-07

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ribs of an ichthyosaur

Title: Ribs of an ichthyosaur

Creator: Engraved by James Basire after drawing by William Clift

Description: Ribs of an ichthyosaur (Temnodontosaurus platyodon) embedded in the Blue Lias showing their ‘fluted appearance’. The creature was found by the thirteen year old Mary Anning (1799-1847) in November 1812. From Home, E, “Some account of the fossil remains of an animal more nearly allied to fishes than any of the other classes of animals”, ‘Philosophical Transactions of the Royal Society’, vol 104 (1814), pp571-577 

Date: 1814

Format: Engraving

Image reference: 27-04

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Section through the vertebrae of an ichthyosaur

Title: Section through the vertebrae of an ichthyosaur

Creator: Engraved by James Basire after drawing by William Clift

Description: Longitudinal section through three vertebrae of the ichthyosaur (Temnodontosaurus platyodon) found by Mary Anning (1799-1847) in November 1812. From Home, E, “Some account of the fossil remains of an animal more nearly allied to fishes than any of the other classes of animals”, ‘Philosophical Transactions of the Royal Society’, vol 104 (1814), pp571-577 

Date: 1814

Format: Engraving

Image reference: 27-03

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Vertebrae and ribs of an ichthyosaur

Title: Vertebrae and ribs of an ichthyosaur (Temnodontosaurus platyodon)

Creator: Engraved by James Basire after drawing by William Clift

Description: Engraving of the vertebrae and ribs of an ichthyosaur (Temnodontosaurus platyodon) found by Mary Anning (1799-1847) in November 1812. Her older brother Joseph (1796-1849) had found the skull the previous year. This creature was the siblings’ first major find and although fragments of ichthyosaurs had been found before, this particular specimen initiated the first scientific description of these dolphin-like, marine reptiles by Everard Home (1756-1832) in 1814. From Home, E, “Some account of the fossil remains of an animal more nearly allied to fishes than any of the other classes of animals”, ‘Philosophical Transactions of the Royal Society’, vol 104 (1814), pp571-577 

Date: 1814

Format: Engraving

Image reference: 27-02

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Head of an ichthyosaur

Title: Head of an ichthyosaur (Temnodontosaurus platyodon)

Creator: Engraved by James Basire after drawing by William Clift

Description: Engraving of the ichthyosaur skull (Temnodontosaurus platyodon) found by Joseph Anning (1796-1849) in the autumn of 1811. His younger sister Mary Anning (1799-1847) would find the vertebrae and the ribs of the same creature in November 1812. This creature was the siblings’ first major find and although fragments of ichthyosaurs had been found before, this particular specimen initiated the first scientific description of these dolphin-like, marine reptiles by Everard Home (1756-1832) in 1814. From Home, E, “Some account of the fossil remains of an animal more nearly allied to fishes than any of the other classes of animals”, ‘Philosophical Transactions of the Royal Society’, vol 104 (1814), pp571-577 

Date: 1814

Format: Engraving

Image reference: 27-01

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Invitation to the Dinner in the Iguanodon, Crystal Palace

Title: Invitation to the Dinner in the Iguanodon, Crystal Palace

Creator: Benjamin Waterhouse Hawkins (1807-1894)

Description: Invitation from Benjamin Waterhouse Hawkins to his friend Joseph Prestwich for the famous dinner within the semi-constructed Iguanodon at Crystal Palace which was held on 31st December 1853.

Date: [1853]

Format: Lithograph with manuscript additions

Archive reference: Joseph Prestwich Tract series

Image reference: 03-29

Recommended print size: Up to A4 (30 x 20cm)

Scharkathal near Prague at the time of the Mammoth

Title: ‘Das Scharkathal bei Prag zur Zeit Mamuthe’ [Scharkathal near Prague at the time of the Mammoth]

Creator: A Levý after design by Anton Fritsch (1832-1923)

Description: Idealised reconstruction of life at the time of the Mammoth in Bohemia, now part of the Czech Republic. From: Fritsch, A. ‘Geologische Bilder aus der Urzeit Böhmens’. Prag: Eduard Grégr (1874)

Format: Lithograph

Image reference: 26-31

Recommended print size: Up to A4 (30 x 20cm)

Northern Bohemia during the time of lignite formation (Tertiary)

Title: ‘Das nördliche Böhmen zur Zeit der Braunkohlebildung’ [Northern Bohemia during the time of lignite formation (Tertiary)]

Creator: A Levý after design by Anton Fritsch (1832-1923)

Description: Idealised reconstruction of life during the Tertiary in Bohemia, now part of the Czech Republic. From: Fritsch, A. ‘Geologische Bilder aus der Urzeit Böhmens’. Prag: Eduard Grégr (1874)

Format: Lithograph

Image reference: 26-30

Recommended print size: Up to A4 (30 x 20cm)

The White Mountain (Bílá hora) during the Cretaceous

Title: ‘Der Weisse Berg bei Prag zur Zeit der Kreideformation’ [The White Mountain (Bílá hora) during the Cretaceous]

Creator: A Levý after design by Anton Fritsch (1832-1923)

Description: Idealised reconstruction of marine life during the Cretaceous period in Bohemia, now part of the Czech Republic. From: Fritsch, A. ‘Geologische Bilder aus der Urzeit Böhmens’. Prag: Eduard Grégr (1874)

Format: Lithograph

Image reference: 26-29

Recommended print size: Up to A4 (30 x 20cm)

At the foot of the Riesengebirges (Krkonoše) during the Permian

Title: ‘Am Fusse des Riesengebirges zur Seit der Permformation’ [At the foot of the Riesengebirges (Krkonoše) during the Permian]

Creator: A Levý after design by Anton Fritsch (1832-1923)

Description: Idealised reconstruction of life during the Permian period in Bohemia, now part of the Czech Republic. From: Fritsch, A. ‘Geologische Bilder aus der Urzeit Böhmens’. Prag: Eduard Grégr (1874)

Format: Lithograph

Image reference: 26-28

Recommended print size: Up to A4 (30 x 20cm)

Environs of Radnitz during the Coal Formation (Upper Carboniferous)

Title: ‘Umgebung von Radnitz zur Zeit Steinkohlenbildung’ [Environs of Radnitz during the Coal Formation (Upper Carboniferous)]

Creator: A Levý after design by Anton Fritsch (1832-1923)

Description: Idealised reconstruction of plant life during the Upper Carboniferous in Bohemia, now part of the Czech Republic. From: Fritsch, A. ‘Geologische Bilder aus der Urzeit Böhmens’. Prag: Eduard Grégr (1874)

Format: Lithograph

Image reference: 26-27

Recommended print size: Up to A4 (30 x 20cm)

Kuchelbad near Prague during the Upper Silurian

Title: ‘Kuchelbad bei Prag zur Zeit der oberen Silurformation’ [Kuchelbad near Prague during the Upper Silurian]

Creator: A Levý after design by Anton Fritsch (1832-1923)

Description: Idealised reconstruction of Upper Silurian life in Bohemia, now part of the Czech Republic. From: Fritsch, A. ‘Geologische Bilder aus der Urzeit Böhmens’. Prag: Eduard Grégr (1874)

Format: Lithograph

Image reference: 26-26

Recommended print size: Up to A4 (30 x 20cm)

‘Cave lately found at Redland’

Title: ‘Cave lately found at Redland’

Creator: George Cumberland (1754-1848)

Description: One of two drawings given to the Society on 6 November 1812 accompanying a communication by Cumberland ‘relative to the limestone strata in the neighbourhood of Bristol’.

Date: 26 April 1812

Format: Watercolour

Archive reference: LDGSL/492/3

Image reference: 05-121

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Long section probably showing limestone strata around Bristol

Title: Long section showing limestone strata around Bristol

Creator: George Cumberland (1754-1848)

Description: One of two drawings given to the Society on 6 November 1812 accompanying a communication by Cumberland ‘relative to the limestone strata in the neighbourhood of Bristol’.

The caption reads: “From hence there is a good opportunity afforded to take the inclination of the surface which is so small an angle that I will not give it without careful measuring – The general Dip is as near as possible at an angle of 45 degrees.”

Date: [1812]

Format: Watercolour

Archive reference: LDGSL/492/2

Image reference: 05-120

Recommended print size: Up to 100 x 70cm (40in x 27in) [Note: as the section is narrow, there will be a significant white space on the final print]

‘Sandstone at the new cut, River Avon, Bristol’

Title: ‘Sandstone at the new cut, River Avon, Bristol’

Creator: George Cumberland (1754-1848)

Description: The drawing was likely given to the Society on 4 May 1810 along with some specimens for the Museum.

Date: [1810]

Format: Monochrome wash

Archive reference: LDGSL/492/1

Image reference: 05-119

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Skeleton of the Mammoth in the St Petersburg Museum

Title: Skeleton of the Mammoth in the St Petersburg Museum

Creator: Édouard Riou (1833–1900)

Description: Taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

The mammoth depicted in the image is probably the ‘Adams mammoth’, which was the first complete woolly mammoth discovered which, when it was found in Siberia in 1799, was virtually intact with its skin and fur attached. It was finally recovered by the Russian botanist Mikhail Adams (1780-1838) in 1806, by which time substantial parts of it had been eaten by wild animals.

Date: 1867

Format: Lithograph

Image reference: 03-28

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Geological timescale (1867)

Title: Geological time scale (1867)

Creator: Louis Figuier (1819-1894)

Description: Geological time scale, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

The pictorial layout of this figure is reminiscent of William Buckland’s highly influential geochronological figure ‘Ideal section of a portion of the Earth’s Crust…’ (1836). Although recognisable as an early geological time scale there are significant differences from the modern scientific version.

Instead of the Palaeozoic, Mesozoic and Cenozoic eras, it still retains the traditional (Wernerian influenced) terminology of Primary, Secondary and Tertiary. The Tertiary is broken up into the three periods defined by Charles Lyell in 1833. The modern Cenozoic has only two – Paleogene and Neogene – with Lyell’s terms – Eocene, Miocene and Pliocene – retained as names of epochs.

Another significant difference is the absence of the Ordovician which sits between the Cambrian and Silurian. It was not defined by Charles Lapworth (1842-1830) until 1879 (accepted on the time scale in 1881).

Date: 1867

Format: Lithograph

Image reference: 07-171

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Pliocene Period

Title: Ideal landscape of the Pliocene Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Pliocene Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-25

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Miocene Period

Title: Ideal landscape of the Miocene Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Miocene Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-24

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Eocene Period

Title: Ideal landscape of the Eocene Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Eocene Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-23

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Cretaceous Period

Title: Ideal landscape of the Cretaceous Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Cretaceous Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-22

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Upper Oolitic Period

Title: Ideal landscape of the Upper Oolitic Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Upper Oolitic Period [Jurassic], taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-21

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Middle Oolitic Period

Title: Ideal landscape of the Middle Oolitic Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Middle Oolitic Period [Jurassic], taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-20

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Lower Oolite Period

Title: Ideal landscape of the Lower Oolite Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Lower Oolite Period [Jurassic], taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-19

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Keuper Sub-period

Title: Ideal landscape of the Keuper Sub-period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Keuper Sub-period [Upper Triassic], taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-18

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Muschelkalk Sub-period

Title: Ideal landscape of the Muschelkalk Sub-period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Muschelkalk Sub-period [Middle Triassic], taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-17

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Permian Period

Title: Ideal landscape of the Permian Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Permian Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-16

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal view of a marshy forest of the Coal Period

Title: Ideal view of a marshy forest of the Coal Period (Upper Carboniferous)

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a marshy forest of the Upper Carboniferous, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-15

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal view of marine life in the Carboniferous Period

Title: Ideal view of marine life in the Carboniferous Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of marine life in the Lower Carboniferous Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-14

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Devonian Period

Title: Ideal landscape of the Devonian Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Devonian Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-13

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal landscape of the Silurian Period

Title: Ideal landscape of the Silurian Period

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of a landscape of the Silurian Period, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-12

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

‘Appearance of Man’

Title: ‘Appearance of Man’

Creator: Édouard Riou (1833–1900)

Description: Idealised reconstruction of the appearance of modern man, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-11

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal American landscape in the Quaternary Epoch

Title: Ideal American landscape in the Quaternary Epoch

Creator: Édouard Riou (1833–1900)

Description: Reconstruction of an ideal European landscape in the Quaternary Epoch, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-10

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Ideal European landscape in the Quaternary Epoch

Title: Ideal European landscape in the Quaternary Epoch

Creator: Édouard Riou (1833–1900)

Description: Reconstruction of an ideal European landscape in the Quaternary Epoch, taken from Figuier, L, ‘The world before the deluge’, 2nd edn. London: Chapman & Hall, (1867).

Date: 1867

Format: Lithograph

Image reference: 26-09

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Dürnten during the formation of lignite

Title: Dürnten during the formation of lignite

Creator: Buri and Jeker

Description: Reconstruction of Dürnten during the formation of lignite, taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Engraving

Image reference: 26-08

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Lausanne during the Miocene Period

Title: Lausanne during the Miocene Period

Creator: Buri and Jeker

Description: Reconstruction of Lausanne during the Miocene Period, taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Engraving

Image reference: 26-07

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Life in the Miocene Period, Oeningen near Constance

Title: Life in the Miocene Period, Oeningen near Constance

Creator: Vincent Brooks, Day and Son

Description: Reconstruction of life in the Miocene Period at Oeningen, taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Coloured lithograph

Image reference: 26-06

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Zurich at the Glacial Period

Title: Zurich at the Glacial Period

Creator: Buri and Jeker

Description: Reconstruction of Zurich during the Glacial Period, taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Engraving

Image reference: 26-05

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

The coral islands of the Jura [Jurassic]

Title: The coral islands of the Jura [Jurassic]

Creator: Buri and Jeker

Description: Reconstruction of the coral islands of the Jura [Jurassic], taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Engraving

Image reference: 26-04

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Submarine life of the Schambelen [Lower Jurassic]

Title: Submarine life of the Schambelen [Lower Jurassic]

Creator: Buri and Jeker

Description: Reconstruction of submarine life of the Schambelen [Lower Jurassic], taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Engraving

Image reference: 26-03

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Basle during the Keuper Period [Middle to Upper Triassic]

Title: Basle during the Keuper Period [Middle to Upper Triassic]

Creator: Buri and Jeker

Description: Reconstruction of plant life from the Keuper Period [Middle to Upper Triassic], taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Engraving

Image reference: 26-02

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Carboniferous flora of Switzerland

Title: Carboniferous flora of Switzerland

Creator: Buri and Jeker

Description: Reconstruction of plant life from the Carboniferous Period in Switzerland, taken from Oswald Heer’s ‘The Primeval World of Switzerland’, London: Longmans, Green(1876), translation of ‘Die Urwelt der Schweiz’ (1865)

Date: 1876

Format: Engraving

Image reference: 26-01

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Scenes among the Rocky Mountains’, [1872]

Title: ‘Scenes among the Rocky Mountains’, [1872]

Creator: William Henry Jackson (1843-1942)

Description: Stereoscopic photograph of scenery in the western states of America, issued by the US Geological Survey. The image was taken during one of Ferdinand Vandeveer Hayden’s (1829-1887) survey expeditions.

Date: [1872]

Format: Black and white photograph

Archive reference: LDGSL/938/2

Image reference: 05-118

Recommended print size: Up to A4 (30 x 20cm)

‘Studies among the Great Tetons of Snake River’, [1872]

Title: ‘Studies among the Great Tetons of Snake River’, [1872]

Creator: William Henry Jackson (1843-1942)

Description: Stereoscopic photograph of scenery in the western states of America, issued by the US Geological Survey. The image was taken during one of Ferdinand Vandeveer Hayden’s (1829-1887) survey expeditions.

Date: [1872]

Format: Black and white photograph

Archive reference: LDGSL/938/2

Image reference: 05-117

Recommended print size: Up to A4 (30 x 20cm)

‘Scenery of Yellowstone’, 1871

Title: ‘Scenery of Yellowstone’, 1871

Creator: William Henry Jackson (1843-1942)

Description: Stereoscopic photograph of scenery in the western states of America, issued by the US Geological Survey. The image was taken during one of Ferdinand Vandeveer Hayden’s (1829-1887) survey expeditions.

Date: 1871

Format: Black and white photograph

Archive reference: LDGSL/938/2

Image reference: 05-116

Recommended print size: Up to A4 (30 x 20cm)

‘Views in Utah, Idaho, and Montana’, 1871

Title: ‘Views in Utah, Idaho, and Montana’, 1871.

Creator: William Henry Jackson (1843-1942)

Description: Stereoscopic photograph of scenery in the western states of America, issued by the US Geological Survey. The image was taken during one of Ferdinand Vandeveer Hayden’s (1829-1887) survey expeditions.

Date: 1871

Format: Black and white photograph

Archive reference: LDGSL/938/2

Image reference: 05-115

Recommended print size: Up to A4 (30 x 20cm)

‘Views in Wyoming Territory’, Unita Mountains, 1870

Title: ‘Views in Wyoming Territory’, Unita Mountains, 1870.

Creator: William Henry Jackson (1843-1942)

Description: Stereoscopic photograph of scenery in the western states of America, issued by the US Geological Survey. The image was taken during one of Ferdinand Vandeveer Hayden’s (1829-1887) survey expeditions.

Date: 1870

Format: Black and white photograph

Archive reference: LDGSL/938/2

Image reference: 05-114

Recommended print size: Up to A4 (30 x 20cm)

Hammerhead shark and white shark

Title: Hammerhead shark and white shark

Creator: Pietro Santi Bartoli (1635-1700) from a drawing byAgostino Scilla (1639-1700)

Description: Plate 28 from ‘De corporibus marinis lapidescentibus quae defossa reperiuntur’, Romae: Typis Antonii de Rubeis (1747) which contains the first Latin translation of the Italian painter Agostino Scilla’s only palaeontological (and heavily influential) work ‘La vana speculazione disingannata dal senso’ [Vain speculation undeceived by sense] (1670) in which he argued that fossils were not the magical objects many believed them to be but were petrefactions (that is fossils) of once living organisms.

Date: 1670 reproduced in 1747

Format: Engraving

Image reference: 04-59

Recommended print size: Up to A4 (30 x 20cm)

Shark’s head and teeth

Title: Shark’s head and teeth

Creator: Pietro Santi Bartoli (1635-1700) from a drawing byAgostino Scilla (1639-1700)

Description: Plate 27 from ‘De corporibus marinis lapidescentibus quae defossa reperiuntur’, Romae: Typis Antonii de Rubeis (1747) which contains the first Latin translation of the Italian painter Agostino Scilla’s only palaeontological (and heavily influential) work ‘La vana speculazione disingannata dal senso’ [Vain speculation undeceived by sense] (1670) in which he argued that fossils were not the magical objects many believed them to be but were petrefactions (that is fossils) of once living organisms.

Date: 1670 reproduced in 1747

Format: Engraving

Image reference: 04-58

Recommended print size: Up to A4 (30 x 20cm)

Sea urchins

Title: Sea urchins

Creator: Pietro Santi Bartoli (1635-1700) from a drawing by Agostino Scilla (1639-1700)

Description: Plate 10 from ‘De corporibus marinis lapidescentibus quae defossa reperiuntur’, Romae: Typis Antonii de Rubeis (1747) which contains the first Latin translation of the Italian painter Agostino Scilla’s only palaeontological (and heavily influential) work ‘La vana speculazione disingannata dal senso’ [Vain speculation undeceived by sense] (1670) in which he argued that fossils were not the magical objects many believed them to be but were petrefactions (that is fossils) of once living organisms.

Date: 1670 reproduced in 1747

Format: Engraving

Image reference: 04-57

Recommended print size: Up to A4 (30 x 20cm)

‘Glossopetra’ [Tongue stone]

Title: ‘Glossopetra’ [Tongue stone]

Creator: Pietro Santi Bartoli (1635-1700) from a drawing by Agostino Scilla (1639-1700)

Description: Plate 5 from ‘De corporibus marinis lapidescentibus quae defossa reperiuntur’, Romae: Typis Antonii de Rubeis (1747) which contains the first Latin translation of the Italian painter Agostino Scilla’s only palaeontological (and heavily influential) work ‘La vana speculazione disingannata dal senso’ [Vain speculation undeceived by sense] (1670) in which he argued that fossils were not the magical objects many believed them to be but were petrefactions (that is fossils) of once living organisms.

The image shows a ‘Glossopetra’ literally ‘Tongue stone’ which Scilla (amongst others during this period) identified as fossilised shark’s tooth. The tooth is shown embedded in a matrix, and the cast once it has been removed.

Date: 1670 reproduced in 1747

Format: Engraving

Image reference: 04-56

Recommended print size: Up to A4 (30 x 20cm)

‘Glossopetrae’ [Tongue stones]

Title: ‘Glossopetrae’ [Tongue stones]

Creator: Pietro Santi Bartoli (1635-1700) from a drawing by Agostino Scilla (1639-1700)

Description: Plate 3 from ‘De corporibus marinis lapidescentibus quae defossa reperiuntur’, Romae: Typis Antonii de Rubeis (1747) which contains the first Latin translation of the Italian painter Agostino Scilla’s only palaeontological (and heavily influential) work ‘La vana speculazione disingannata dal senso’ [Vain speculation undeceived by sense] (1670) in which he argued that fossils were not the magical objects many believed them to be but were petrefactions (that is fossils) of once living organisms.

The image is of ‘Glossopetrae’ literally ‘Tongue stones’ which Scilla (amongst others during this period) identified as fossilised shark’s teeth.

Date: 1670 reproduced in 1747

Format: Engraving

Image reference: 04-55

Recommended print size: Up to A4 (30 x 20cm)

La vana speculazione disingannata dal senso

Title: ‘La vana speculazione disingannata dal senso’

Creator: Pietro Santi Bartoli (1635-1700) from a drawing by Agostino Scilla (1639-1700)

Description: Title page of ‘De corporibus marinis lapidescentibus quae defossa reperiuntur’, Romae: Typis Antonii de Rubeis (1747) which contains the first Latin translation of the Italian painter Agostino Scilla’s only palaeontological (and heavily influential) work ‘La vana speculazione disingannata dal senso’ [Vain speculation undeceived by sense] (1670) in which he argued that fossils were not the magical objects many believed them to be but were petrefactions (that is fossils) of once living organisms.

The image shows a visual representation of reason [the young man holding a fossil sea urchin and shark’s tooth, pointing to a hillside covered with fossils] and speculation [the spectral figure looking at the fossils in isolation.

Date: 1670 reproduced in 1747

Format: Engraving

Image reference: 04-54

Recommended print size: Up to A4 (30 x 20cm)

Meeting Room of the Geological Society, 1972

Title: Meeting Room of the Geological Society, 1972

Creator: Unknown

Description: Photograph of the original arrangement of the Meeting Room of the Geological Society, immediately prior to its conversion to a more modern lecture theatre.

Historically the Meeting Room was where Fellows presented their papers and elected new members. The room was laid out in ‘Parliamentary’ style, the President seated on a throne-like chair on a raised dais at end of the room. Fellows sat on raked benches on either side of the central well, where a large table was used to display specimens. The facing benches were occupied in strict order of seniority, with professors and the Director of the Geological Survey at the front, the rows behind reserved for progressively more junior academics (readers, senior lecturers and lecturers). Students were expected to stand.

The busts of Adam Sedgwick, Roderick Murchison and John MacCulloch are visible on the far wall. The portrait of William Smith is directly above the President’s chair.

The room was refurbished as a lecture theatre between 1972-1973, and again for our Bicentenary in 2007. It was named the Janet Watson Lecture Theatre in 2009, in honour of Professor Janet Watson of Imperial College London, the Society’s first female President (1982-1984).

Date: 1972

Format: Colour photograph

Archive reference: GSL/PH/3/1

Image reference: 25-13

Recommended print size: Up to 10 x 8 inches (25 x 14cm) [Note: the original photograph is very grainy, which will affect the quality of the final print]

New Library Map Room, Geological Society, 1972

Title: New Library Map Room, Geological Society, 1972

Creator: Unknown

Description: Black and white photograph showing the Geological Society Library’s new Map Room in Burlington House, refurbished from the old Council Room of the Royal Society of Chemistry.

The Royal Society was housed at Burlington House until 1967 when it moved to its own premises in Carlton House Terrace. The courtyard societies shared out the remaining space between them, resulting in substantial refurbishment between 1967-1974. The Chemical Society, now the Royal Society of Chemistry, moved into the accommodation vacated by the Royal Society.

In the photograph is the Society’s legendary librarian Mrs Edeltraud Nutt.

Date: 21 March 1972

Format: Black and white photograph

Archive reference: GSL/PH/6/1

Image reference: 25-23

Recommended print size: Up to 10 x 8 inches (25 x 14cm)

New Library Map Room, Geological Society, 1972

Title: New Library Map Room, Geological Society, 1972

Creator: Unknown

Description: Black and white photograph showing the Geological Society Library’s new Map Room in Burlington House, refurbished from the old Council Room of the Royal Society of Chemistry.

The Royal Society was housed at Burlington House until 1967 when it moved to its own premises in Carlton House Terrace. The courtyard societies shared out the remaining space between them, resulting in substantial refurbishment between 1967-1974. The Chemical Society, now the Royal Society of Chemistry, moved into the accommodation vacated by the Royal Society.

In the photograph is the Society’s legendary librarian Mrs Edeltraud Nutt.

Date: 21 March 1972

Format: Black and white photograph

Archive reference: GSL/PH/6/2

Image reference: 25-22

Recommended print size: Up to A4 (30 x 20cm)

New Reading Room, Geological Society, 1972

Title: New Library Reading Room, Geological Society, 1972

Creator: Unknown

Description: Photograph showing the Geological Society Library’s new Reading Room in Burlington House, refurbished from the old Meeting Room of the Chemical Society, in 1972. The room later became the Library Reception (when the main entrance was off the Burlington House arch), but is now the Lyell Room.

The Royal Society was housed at Burlington House until 1967 when it moved to its own premises in Carlton House Terrace. The courtyard societies shared out the remaining space between them, resulting in substantial refurbishment between 1967-1974. The Chemical Society, now the Royal Society of Chemistry, moved into the accommodation vacated by the Royal Society.

Date: 21 March 1972

Format: Black and white photograph

Archive reference: GSL/PH/6/1

Image reference: 25-21

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Upper Library, Geological Society, 1972

Title: Upper Library, Geological Society, 1972

Creator: Unknown

Description: Photograph of the Upper Library of the Geological Society, taken to show the refurbishment of the Society’s apartments in 1972.

The Royal Society was housed at Burlington House until 1967 when it moved to its own premises in Carlton House Terrace. The courtyard societies shared out the remaining space between them, resulting in substantial refurbishment between 1967-1974.

The main feature of the redecoration of the Library is the installation of the glass chandeliers, designed by the Italian architect Carlo Scarpa for the Venetian glass firm Venini.

The author, Gordon Herries Davies sits in the foreground. He would later write the Society’s official bicentenary history ‘Whatever is under the Earth’ in 2007.

Date: 21 March 1972

Format: Black and white photograph

Archive reference: GSL/PH/5/2

Image reference: 25-20

Recommended print size: Up to A4 (30 x 20cm)

Upper Library, Geological Society, 1972

Title: Upper Library, Geological Society, 1972

Creator: Unknown

Description: Photograph of the Upper Library of the Geological Society, taken to show the refurbishment of the Society’s apartments in 1972.

The Royal Society was housed at Burlington House until 1967 when it moved to its own premises in Carlton House Terrace. The courtyard societies shared out the remaining space between them, resulting in substantial refurbishment between 1967-1974.

The main feature of the redecoration of the Library is the installation of the glass chandeliers, designed by the Italian architect Carlo Scarpa for the Venetian glass firm Venini.

Date: 21 March 1972

Format: Black and white photograph

Archive reference: GSL/PH/5/2

Image reference: 25-19

Recommended print size: Up to A4 (30 x 20cm)

Upper Library, Geological Society, 1972

Title: Upper Library, Geological Society, 1972

Creator: Unknown

Description: Photograph of the Upper Library of the Geological Society, taken to show the refurbishment of the Society’s apartments in 1972.

The Royal Society was housed at Burlington House until 1967 when it moved to its own premises in Carlton House Terrace. The courtyard societies shared out the remaining space between them, resulting in substantial refurbishment between 1967-1974.

The main feature of the redecoration of the Library is the installation of the glass chandeliers, designed by the Italian architect Carlo Scarpa for the Venetian glass firm Venini.

Date: 21 March 1972

Format: Black and white photograph

Archive reference: GSL/PH/5/2

Image reference: 25-18

Recommended print size: Up to A4 (30 x 20cm)

Upper Library of the Geological Society, 1931

Title: Upper Library, Geological Society, 1931

Creator: Larkin Brothers

Description: Photograph of the Upper Library of the Geological Society, 1931.

There are very few historical photographs of the interior of the Geological Society. Invariably any that exist relate to refurbishments of some kind or other. This is likely to be the case with this photograph as in 1931 the Society was undergoing some redecoration.

This space was originally the Society’s Geological Museum. The Museum collection was intended to be comprehensive, but as well as being in charge of the Museum, the Curator was also expected to act as Librarian, Journal Editor, Honorary Secretary and to keep an eye on the accounts. It is no surprise to hear that curators did not stay long. By the time the Society moved to Burlington House, the idea of a comprehensive collection had been abandoned, but retention of curatorial staff was still problematic. By the turn of the 20th century visitor numbers had dwindled, so in 1911 it was decided that the collection would be disposed of. The British specimens were given to what is now the British Geological Survey and the ‘foreign’ specimens donated to what is now the Natural History Museum.

A small number of specimens were retained. Taken 20 years after the Museum was broken up, the image shows the fossil rhinoceros skull given to the Society by Henry Warburton in 1820 and which is still on display today.

Date: 1931

Format: Black and white photograph

Archive reference: GSL/PH/5/1

Image reference: 25-17

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Burlington House, 1873

Title: New buildings of Burlington House, 1873

Creator: Unknown

Description: Illustration of the new buildings of Burlington House, Piccadilly, taken from ‘The Illustrated London News’, 10 May 1873.

The Geological Society had a number of homes in its first few decades, before settling in Somerset House (alongside many of the other London learned societies) in 1828 and finally moving to Burlington House in 1874.

The original Burlington House was built by Sir John Denham for his new bride in 1665 but after her early death it was sold to Richard Boyle, first Earl of Burlington, in 1668. Between 1715-1722, the third Earl had the house reconstructed in the Palladian style which we see today. The property then passed to the Cavendish family in the mid 18th century and was eventually purchased by the Government in 1854 with the express purpose of housing the learned societies close to the Royal Academy to encourage interchange between the arts and sciences.

Additional accommodation was provided in the West and East wings and gateway blocks enclosing the courtyard, which were completed to the designs of architects Charles Barry and Robert Richardson Banks between 1869-1873. The exterior of the Grade II* listed building is of Portland Stone (Upper Jurassic).

Date: 10 May 1873

Format: Engraving

Archive reference: GSL/PH/3/1

Image reference: 25-16

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Meeting Room of the Geological Society, 1972

Title: Meeting Room of the Geological Society, 1972

Creator: Unknown

Description: Photograph of the original arrangement of the Meeting Room of the Geological Society, immediately prior to its conversion to a more modern lecture theatre.

Historically the Meeting Room was where Fellows presented their papers and elected new members. The room was laid out in ‘Parliamentary’ style, the President seated on a throne-like chair on a raised dais at end of the room. Fellows sat on raked benches on either side of the central well, where a large table was used to display specimens. The facing benches were occupied in strict order of seniority, with professors and the Director of the Geological Survey at the front, the rows behind reserved for progressively more junior academics (readers, senior lecturers and lecturers). Students were expected to stand.

The room was refurbished as a lecture theatre between 1972-1973, and again for our Bicentenary in 2007. It was named the Janet Watson Lecture Theatre in 2009, in honour of Professor Janet Watson of Imperial College London, the Society’s first female President (1982-1984).

Date: 1972

Format: Black and white photograph

Archive reference: GSL/PH/3/1

Image reference: 25-15

Recommended print size: Up to 100 x 70cm (40in x 27in)

Meeting Room of the Geological Society, 1972

Title: Meeting Room of the Geological Society, 1972

Creator: Unknown

Description: Photograph of the original arrangement of the Meeting Room of the Geological Society, immediately prior to its conversion to a more modern lecture theatre.

Historically the Meeting Room was where Fellows presented their papers and elected new members. The room was laid out in ‘Parliamentary’ style, the President seated on a throne-like chair on a raised dais at end of the room. Fellows sat on raked benches on either side of the central well, where a large table was used to display specimens. The facing benches were occupied in strict order of seniority, with professors and the Director of the Geological Survey at the front, the rows behind reserved for progressively more junior academics (readers, senior lecturers and lecturers). Students were expected to stand.

The room was refurbished as a lecture theatre between 1972-1973, and again for our Bicentenary in 2007. It was named the Janet Watson Lecture Theatre in 2009, in honour of Professor Janet Watson of Imperial College London, the Society’s first female President (1982-1984).

Date: 1972

Format: Black and white photograph

Archive reference: GSL/PH/3/1

Image reference: 25-14

Recommended print size: Up to 20 x 16 inches (50 x 40cm)

Demonstration Room of the New School of Mines, University of Sydney

Title: Demonstration Room of the New School of Mines, University of Sydney

Creator: Henry King (1855-1923)

Description: Tannatt Edgeworth David (1858-1934) was appointed Professor of Geology at Sydney University in 1891, however on his arrival he found that the department was a one man operation, in a poorly equipped, weatherboard cottage which had previously housed the medical school. Edgeworth David persuaded the University Senate that new facilities were required to accommodate the expanding numbers of students taking geology classes. The New South Wales Government agreed in 1893 to establish a School of Mines on campus, the new building becoming ready for occupation in the Lent term of 1895.

Date: [c.1894-1895]

Format: Black and white photograph

Archive reference: LDGSL/943/2-2

Image reference: 25-09

Recommended print size: Up to A4 (30 x 20cm)

Portion of the exterior (side view) of the New School of Mines, University of Sydney

Title: Portion of the exterior (side view) of the New School of Mines, University of Sydney

Creator: Henry King (1855-1923)

Description: Tannatt Edgeworth David (1858-1934) was appointed Professor of Geology at Sydney University in 1891, however on his arrival he found that the department was a one man operation, in a poorly equipped, weatherboard cottage which had previously housed the medical school. Edgeworth David persuaded the University Senate that new facilities were required to accommodate the expanding numbers of students taking geology classes. The New South Wales Government agreed in 1893 to establish a School of Mines on campus, the new building becoming ready for occupation in the Lent term of 1895.

Date: [c.1894-1895]

Format: Black and white photograph

Archive reference: LDGSL/943/2-5

Image reference: 25-12

Recommended print size: Up to A4 (30 x 20cm)

Portion of the lecture theatre at the New School of Mines, University of Sydney

Title: Portion of the lecture theatre at the New School of Mines, University of Sydney

Creator: Henry King (1855-1923)

Description: Tannatt Edgeworth David (1858-1934) was appointed Professor of Geology at Sydney University in 1891, however on his arrival he found that the department was a one man operation, in a poorly equipped, weatherboard cottage which had previously housed the medical school. Edgeworth David persuaded the University Senate that new facilities were required to accommodate the expanding numbers of students taking geology classes. The New South Wales Government agreed in 1893 to establish a School of Mines on campus, the new building becoming ready for occupation in the Lent term of 1895.

Date: [c.1894-1895]

Format: Black and white photograph

Archive reference: LDGSL/943/2-4

Image reference: 25-11

Recommended print size: Up to A4 (30 x 20cm)

Private Laboratory of the New School of Mines, University of Sydney

Title: Private Laboratory of the New School of Mines, University of Sydney

Creator: Henry King (1855-1923)

Description: Tannatt Edgeworth David (1858-1934) was appointed Professor of Geology at Sydney University in 1891, however on his arrival he found that the department was a one man operation, in a poorly equipped, weatherboard cottage which had previously housed the medical school. Edgeworth David persuaded the University Senate that new facilities were required to accommodate the expanding numbers of students taking geology classes. The New South Wales Government agreed in 1893 to establish a School of Mines on campus, the new building becoming ready for occupation in the Lent term of 1895.

Date: [c.1894-1895]

Format: Black and white photograph

Archive reference: LDGSL/943/2-3

Image reference: 25-10

Recommended print size: Up to A4 (30 x 20cm)

Exterior of the New School of Mines, University of Sydney

Title: Exterior of the New School of Mines, University of Sydney

Creator: Henry King (1855-1923)

Description: Tannatt Edgeworth David (1858-1934) was appointed Professor of Geology at Sydney University in 1891, however on his arrival he found that the department was a one man operation, in a poorly equipped, weatherboard cottage which had previously housed the medical school. Edgeworth David persuaded the University Senate that new facilities were required to accommodate the expanding numbers of students taking geology classes. The New South Wales Government agreed in 1893 to establish a School of Mines on campus, the new building becoming ready for occupation in the Lent term of 1895.

Date: [c.1894-1895]

Format: Black and white photograph

Archive reference: LDGSL/943/2-1

Image reference: 25-08

Recommended print size: Up to A4 (30 x 20cm)

Photograph of Down House, home of Charles Darwin

Title: Photograph of Down House, home of Charles Darwin

Creator: unknown

Description: By the 1920s, Charles Darwin’s home Down House in Kent had been operating as a series of girls’ schools. Following an appeal by the President of the British Association Sir Arthur Keith in 1927, that the house should be in national possession, it was purchased by George Buckston Browne, FRCS, from Darwin’s grandson. Browne gifted it, along with an endowment of £20,000 to the British Association for it to be run as museum and where it was overseen by a special ‘Down House Committee’. The photographs were commissioned by the BA’s Down House Committee and donated to a number of different organisations connected with the naturalist with a view to the images being put on permanent display.

The house is now owned by English Heritage.

Date: 1935

Format: Black and white photograph

Archive reference: LDGSL/1050/7

Image reference: 25-07

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Photograph of Down House, home of Charles Darwin

Title: Photograph of Down House, home of Charles Darwin

Creator: unknown

Description: By the 1920s, Charles Darwin’s home Down House in Kent had been operating as a series of girls’ schools. Following an appeal by the President of the British Association Sir Arthur Keith in 1927, that the house should be in national possession, it was purchased by George Buckston Browne, FRCS, from Darwin’s grandson. Browne gifted it, along with an endowment of £20,000 to the British Association for it to be run as museum and where it was overseen by a special ‘Down House Committee’. The photographs were commissioned by the BA’s Down House Committee and donated to a number of different organisations connected with the naturalist with a view to the images being put on permanent display.

The house is now owned by English Heritage.

Date: 1935

Format: Black and white photograph

Archive reference: LDGSL/1050/6

Image reference: 25-06

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

Photograph of Down House, home of Charles Darwin

Title: Photograph of Down House, home of Charles Darwin

Creator: unknown

Description: By the 1920s, Charles Darwin’s home Down House in Kent had been operating as a series of girls’ schools. Following an appeal by the President of the British Association Sir Arthur Keith in 1927, that the house should be in national possession, it was purchased by George Buckston Browne, FRCS, from Darwin’s grandson. Browne gifted it, along with an endowment of £20,000 to the British Association for it to be run as museum and where it was overseen by a special ‘Down House Committee’. The photographs were commissioned by the BA’s Down House Committee and donated to a number of different organisations connected with the naturalist with a view to the images being put on permanent display.

The house is now owned by English Heritage.

Date: 1935

Format: Black and white photograph

Archive reference: LDGSL/1050/4

Image reference: 25-04

Recommended print size: Up to 16 x 12 inches (40 x 30cm)

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